Author: Sriram

Every #1 Song of the 1980s – Series 7

Click for links to Series 6,  Series 5Series 4,  Series 3, Series 2, and Series 1 and a quick study of #2 songs

As summer gets going in full force and just after Murika! celebrated its birthday – we make the turn in every #1 song of the 1980s. Looking at the 22 songs which hit number one during this month – there are some of the really emblematic songs of the MTV era in particular. A couple of these songs stink, and the end of decade is much more wobbly in retrospect – even if it was the wheelhouse of my pop culture awakening.

“It’s Still Rock and Roll to Me” by Billy Joel (1980) – The first of Billy Joel’s three number ones in the decade, this is one of those super early 80s songs which do not really resemble the decade at all. It also – especially in the video – is very dated obviously. What I found interesting is that the guitar and general tone is somewhat similar to more outwardly rockabilly stuff, particularly The Stray Cats when they hit a couple of years later. That was a lot cooler though. (27 points)

“The One That You Love” by Air Supply (1981) – Interrupting two stints totalling 9 weeks at the top for “Bette Davis Eyes”, this was Air Supply’s one number one – although they had a long list of simpering soft love songs around that time. This song is fairly typical of the duo’s ouevre – it’s the sort of combination of earnestness and execrable quality which really allows them and Peter Cetera to glow in the dark a bit here. I had never seen the video until I sat down to type this – so I am tempted to give this a higher score due to – let’s just say a wee bit of camp – but I refrain. (20 points)

“Don’t You Want Me” by The Human League (1982) – This is definitely one of the defining videos and songs of the early MTV 80s. This sort of synthesizer laden pop would be a fixture in the decade clearly, and this is one of the better versions of it. Everything, including the video works here. (38 points)

“Eye of the Tiger” by Survivor (1982) – By the time Rocky III rolled around, the heroic archetype of the first two films had evolved into a formula with the comic book villains (Clubber Lang, hello!). Thankfully, we got Rocky Balboa and Creed to give Rocky some soul at the end – but that does not mean Rocky III was not fun on its own. It also spawned a theme which is every bit the iconic equivalent of Bill Condi’s classic theme for the original. This song has survived – and still works for that purpose of getting the gang amped up. It is clearly way up on any list like this. (44 points)

“Every Breath You Take” by The Police (1983) – This was the #1 song of 1983, and one of the top wedding songs of the decade. As everybody knows by now, that was not what Sting intended. This has always amused me of course, although in a sense when art goes into the domain – it’s value is defined somewhat by what the audience things and interprets, no? I certainly have always found it more haunting than romantic – but who am I? It is not my favorite Police song (“Every Little Thing She Does Is Magic” is better, although “Roxanne” is not), but it certainly deserves to be mentioned on the list. (44 points)

“When Doves Cry” by Prince (1984) – This is pretty clearly beyond reproach. The famous song without a bass – the legendary opening riff … from one of the decade’s very best albums. It was sampled in MC Hammer’s highest charting song, and it is a song which has remained timeless. It has every reasonable argument to be #1 on this list – but I prefer “Kiss” funky minimalism from the Prince (and one of his other number ones has grown a ton as I’ve gotten older). Game, blouses. (49 points)

“Sussudio” by Phil Collins (1985) – This was a song I enjoyed quite a bit in my youth – I have given positive views on Phil Collins before more gently. At the same time, this song has not aged particularly well. It has not done anything bad – it’s not a bad song. It just has more of a blah feel now. A good, albeit thoroughly unremarkable up tempo. (33 points)

“A View to a Kill” by Duran Duran (1985) – The band’s other number 1 song – the trivia note here is that it is one of the biggest hits of the Bond themes. Only “Nobody Does it Better” and “Goldfinger” itself can claim a seat at the table. Certainly it is the most silly delightful video of any song associated with the franchise. I have pointed this out, but John Taylor has largely defeated aging. (38 points)

“Everytime You Go Away” by Paul Young (1985) – You have to admire the rock solid mulletude in the video. This is one of those easy listening sort of ballads which is a little better than the simpering worst of Peter Cetera (though lacking in the unintentional comedy). There are songs which deserve more space in this missive. As a tip, I am a big fan of Young’s Chi-Lite’s cover, “Oh Girl”. Listen to that instead. (29 points)

“There’ll Be Sad Songs (To Make You Cry)” by Billy Ocean (1986) – Of Ocean’s biggest hits, this is the one you probably forgot. I know I did. It really does feel like you had to have one of these ballads if you were a big star in the decade. It is slightly better than you’d expect – but just slightly. (28 points)

“Holding Back the Years” by Simply Red (1986) – This is the sort of song which time helps out. This is a better song than I remember when I was younger. This is squarely in the adult contemporary space (to use industry jibber jabber) and one of the better songs of that ilk on this list. It is not the form which will score too high for me, but this is distinctly better than some of its peers. (32 points)

“Invisible Touch” by Genesis (1986) – Genesis is one of the weakest bands to be in the Rock and Roll Hall of Fame. Seriously. What is funny is that the band is hailed as a progressive rock icon – which certainly describes their 4-man incarnation I suppose. But the Genesis who was actually successful happened after Gabriel left and Phil Collins took over the lead. Can you name anything Genesis did with Peter Gabriel? Now Genesis was extremely successful in the post-Gabriel incarnation, with this being their biggest hit. But a good, cheeky, pop band is not the sort of thing I’d call legendary. Nobody is putting Toto in the Hall either. But that has nothing to do with this song, which is never unpleasant to encounter. (34 points)

“Sledgehammer” by Peter Gabriel (1986) – Ah, but Peter Gabriel DID leave Genesis for his super interesting solo career. Gabriel has always done his own thing, always interesting – sometimes intersecting with mainstream pop, but not necessarily. What is there to say about “Sledgehammer”? It’s one of the most recognized (and best) videos ever made – it was one of the earliest Ardman Animation gigs (Wallace and Gromit), and really one of the best uses of the medium. The song itself still holds up as well. (42 points)

“Alone” by Heart (1987) – Heart and Chicago are very similar sort of arcs to me. Both of them had these cool, frankly kind of kick-ass rock bands in the 1970s – there are entries which come on classic rock or whatever and still work great. But the bands biggest commercial successes took place in the 1980s via balladeering and clear corruption to satisfy Top 40. This is a perfect example, and not surprising it was one of the biggest hits of 1987. Ann Wilson’s voice salvages whatever can be salvaged ultimately here. (32 points)

“Dirty Diana” by Michael Jackson (1988) – Look, he’s gone hard! It is a sign of Jackson’s pull, like how he got Eddie Van Halen to a solo on “Beat It”, that he got Billy Idol’s guitarist for this. This is one of Jackson’s more atmospheric, interesting songs – it stands outside of his more danceable or softer songs. Like Janet Jackson did in 1990 with “Black Cat” this sort of interpretation of a hard rock song is not one of the songs which is easily remembered, but it works out to be one of his better ones. (37 points)

“The Flame” by Cheap Trick (1988) – Sometimes, when it comes to the “monster ballads” it’s just personal taste. This is objectively not as good a song as, say, “Every Rose Has It’s Thorn”. But this is distinctly better than some of the similarly mawkish soft rock songs which made it big. Of course, like Heart, some of their earlier work colors my thinking here. (35 points)

“Hold On To the Nights” by Richard Marx (1988) – The first #1 for one of the great mullets of the decade. He had another similar ballad in 1989. That was better. (29 points)

“Roll With It” by Steve Winwood (1988) – When I was a kid, Michelob was advertised a lot on TV. Not Michelob Ultra (there was no Michelob Ultra). In 1988, Michelob was selling themselves as the beer of the night – and they used classic rock guys among the pitchmen. It helped Eric Clapton make a return and helped promote Steve Winwood’s Roll With It album. The title track, one of the biggest hits of 1988, is one of my favorite songs of the decade. I do think the video helped – it really does fit the style the song evokes. Just a genuinely excellent rock song. (45 points)

“Baby Don’t Forget My Number” by Milli Vanilli (1989) – As I had talked about in the Number 2s piece, Milli Vanilli’s music would absolutely play on Top 40 stations now. They are one of those bands who have been erased from the record due to that scandal – but honestly, if you look at the music produced, you have to admit that it’s largely solid silly dance pop. (34 points)

“Good Thing” by Fine Young Cannibals (1989) – Interestingly, “She Drives Me Crazy” has probably survived better, and it probably should have. The falsetto, the video – it is a distinctive song. This song, their second #1 is significantly more “normal” – less interesting but a better song in the vein of a “Roll With It”. I like the piano solo – which was not something you got much of in the decade. (33 points)

“If You Don’t Know Me By Now” by Simply Red (1989) – Simply Red was covered earlier. Squarely in the adult contemporary zone here, this Harold Melvin and the Blue Notes cover was the band’s second #1. This song did not improve on the Melvin version – and while perfectly okay, is certainly not as good as their other #1. (30 points)

“Toy Soldiers” by Martika (1989) – I can’t believe this happened. As I have pointed out before, my pop culture awareness occured around late 1988-1989. I knew this song was bad even then. Wikipedia tells me this song is about her friend’s cocaine addiction – which is more poignant if you are trying to get me to change my mind. Whatever heft it gives the lyrics – there is a lack in lots of other areas, singing, guitar solo – that musically it sounds like umpteen other ballads. (20 points)

After 7 months, the big board:

Song Artist
1 West End Girls Pet Shop Boys
2 Kiss Prince
3 With or Without You U2
4 When Doves Cry Prince
5 Beat It Michael Jackson
6 Billie Jean Michael Jackson
7 Rock With You Michael Jackson
8 Father Figure George Michael
9 Roll With It Steve Winwood
10 Jump Van Halen
11 Livin on a Prayer Bon Jovi
12 Down Under Men At Work
13 Every Breath You Take The Police
14 Eye of the Tiger Survivor
15 Faith George Michael
16 How Will I Know Whitney Houston
17 Like a Virgin Madonna
18 The Tide Is High Blondie
19 Centerfold J Geils Band
20 (I Just) Died in Your Arms Cutting Crew
21 Don’t You (Forget About Me) Simple Minds
22 We Are the World USA For Africa
23 Sledgehammer Peter Gabriel
24 Like A Prayer Madonna
25 Greatest Love of All Whitney Houston
26 Everybody Wants to Rule The World Tears For Fears
27 Rapture Blondie
28 Man in the Mirror Michael Jackson
29 Careless Whisper Wham featuring George Michael
30 Footloose Kenny Loggins
31 Walk Like an Egyptian Bangles
32 Karma Chameleon Culture Club
33 I Love Rock and Roll Joan Jett and the Blackhearts
34 Celebration Kool and the Gang
35 So Emotional Whitney Houston
36 Don’t You Want Me The Human League
37 Two Hearts Phil Collins
38 Need You Tonight INXS
39 A View to a Kill Duran Duran
40 Call Me Blondie
41 Let’s Dance David Bowie
42 Never Gonna Give You Up Rick Astley
43 Dirty Diana Michael Jackson
44 Together Forever Rick Astley
45 Time After Time Cyndi Lauper
46 Every Rose Has Its Thorn Poison
47 My Prerogative Bobby Brown
48 Got My Mind Set on You George Harrison
49 Get Outta My Dreams, Get Into My Car Billy Ocean
50 Addicted to Love Robert Palmer
51 Owner of a Lonely Heart Yes
52 I Wanna Dance With Somebody (Who Loves Me) Whitney Houston
53 Forever Your Girl Paula Abdul
54 Maneater Darryl Hall and John Oates
55 Another Brick in the Wall, Part 2 Pink Floyd
56 Rock Me Amadeus Falco
57 Chariots of Fire Vangelis
58 Open Your Heart Madonna
59 One More Try George Michael
60 Wishing Well Terrence Trent D’Arby
61 The Flame Cheap Trick
62 The Way You Make Me Feel Michael Jackson
63 Say, Say, Say Paul McCartney and Michael Jackson
64 9 to 5 Dolly Parton
65 Straight Up Paula Abdul
66 The Look Roxette
67 Head to Toe Lisa Lisa and Cult Jam
68 Invisible Touch Genesis
69 The Reflex Duran Duran
70 I Knew You Were Waiting (For Me) Aretha Franklin and George Michael
71 Baby Don’t Forget My Number Milli Vanilli
72 Flashdance … What a Feeling Irene Cara
73 Good Thing Fine Young Cannibals
74 That’s What Friends Are For Dionne Warwick
75 Physical Olivia Newton John
76 I Can’t Go For That Hall and Oates
77 Sussudio Phil Collins
78 I’ll Be There For You Bon Jovi
79 Crazy Little Thing Called Love Queen
80 Everything She Wants Wham
81 Africa Toto
82 Holding Back the Years Simply Red
83 Satisfied Richard Marx
84 Alone Heart
85 Coming Up Paul McCartney
86 Come on Eileen Dexy’s Midnight Runners
87 These Dreams Heart
88 Anything For You Gloria Estefan and Miami Sound Machine
89 Heaven Bryan Adams
90 Ebony and Ivory Paul McCartney and Stevie Wonder
91 The Living Years Mike and the Mechanics
92 At This Moment Billy Vera and the Beaters
93 Bette Davis Eyes Kim Carnes
94 If You Don’t Know Me By Now Simply Red
95 Foolish Beat Debbie Gibson
96 She Drives Me Crazy Fine Young Cannibals
97 Eternal Flame The Bangles
98 Kyrie Mr. Mister
99 Hold On to the Nights Richard Marx
100 Shake You Down Gregory Abbott
101 You Keep Me Hangin On Kim Wilde
102 Kiss Is On My List Hall and Oates
103 Funkytown Lipps, Inc
104 Let’s Hear It for the Boy DeNiece Williams
105 Everytime You Go Away Paul Young
106 Keep on Loving You REO Speedwagon
107 There’ll Be Sad Songs (To Make You Cry) Billy Ocean
108 Hello Lionel Richie
109 It’s Still Rock and Roll to Me Billy Joel
110 I Love a Rainy Night Eddie Rabbitt
111 Live to Tell Madonna
112 I’ll Be Loving You (Forever) New Kids on the Block
113 Lost in Your Eyes Debbie Gibson
114 Say You, Say Me Lionel Richie
115 Always Atlantic Starr
116 Nothing’s Gonna Stop Us Now Starship
117 (Just Like) Starting Over John Lennon
118 On My Own Patti LaBelle and Michael McDonald
119 Crazy for You Madonna
120 Seasons Change Expose
121 Can’t Fight This Feeling REO Speedwagon
122 One More Night Phil Collins
123 I Want to Know What Love Is Foreigner
124 Stars on 45 Medley Stars on 45
125 Escape (The Pina Colada Song) Rupert Holmes
126 Wind Beneath My Wings Bette Midler
127 Sara Starship
128 Lean on Me Club Nouveau
129 Baby, Come to Me Patti Austin and James Ingram
130 Against All Odds (Take A Look At Me Now) Phil Collins
131 Where Do Broken Hearts Go Whitney Houston
132 Could’ve Been Tiffany
133 Do That To Me One More Time Captain and Tennille
134 Jacob’s Ladder Huey Lewis and the News
135 Morning Train (Nine to Five) Sheena Easton
136 When I’m With You Sheriff
137 The One That You Love Air Supply
138 Toy Soldiers Martika
139 Rock On Michael Damian
140 Please Don’t Go KC and the Sunshine Band
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Every #1 Song of the 1980s – Series 6

Click for links to Series 5Series 4,  Series 3, Series 2, and Series 1 and a quick study of #2 songs

June does not have as many new additions as May. A number of those songs had pretty long runs at the top. Either way, I am happy to not have 28 new entries or whatever.

“Coming Up” by Paul McCartney (1980) – This was McCartney’s last number one song, this song actually had a pretty interesting history. It was released in the States as a single with a live version from Glasgow as the B-Side. Indeed, it was the live version of the song which got more radio airplay and traction. Indeed, putting the original single side by side with McCartney doing it live shows it. It’s a lot better as a live song – faster, more energetic – the vocal filtering in the record version just doesn’t work. (31 points)

SINGLE:

LIVE:

“Stars on 45 Medley” by Stars on 45 (1981) – Okay, last time I talked about Sheena Easton’s “Morning Train” as the strangest number one of the decade – I retract. This medley of old hits – a dance mix I presume – is the strangest. I am not sure if this is supposed to be a precursor to stuff like DJ Shadow or not, but it seems too clunky for that. It feels like a Wedding DJ performance as much as anything. The nice thing is that they play a lot of cool old songs. But come on – listening to it now, it is hard that it was a major single, let alone a #1. (24 points)

“Time After Time” by Cyndi Lauper (1984) – There is a lot of real solid 80s markers here. The hairstyle, the story-video. This was the number one from Lauper’s She’s So Unusual album – and of course it’s a ballad. But – it’s a good one, an unusually well written one. Also – while Lauper had a distinctive look and seemed like a pop creation – she really can sing. (“I Drove All Night” from 1989 is my favorite example of this) This song decidedly holds up (37 points)

“The Reflex” by Duran Duran (1984) – Hoo boy. Duran Duran’s first #1 song – which made it I believe as a hyped “first single from a new album” thing which comes up quite a bit. There is nothing about this video or song that doesn’t seem dated and trapped in the 1980s. It reminds me of an amusing story Greg Proops told on his The Smartest Man in the World (which I recommend you avail yourself of) podcast about seeing them recently. Simon Le Bron, even at his advanced age is basically the same guy – including flashing his tongue to the audience – yuck! Of course bassist John Taylor seems to have stopped aging. What this is a long way of saying that while this is a fairly unremarkable Duran Duran song compared to others – it is quite the time capsule. (34 points)

“Everybody Wants to Rule the World” by Tears for Fears (1985) – Pretty clearly one of the best known songs of the decade. It has had a lot of staying power since – it was the theme to Dennis Miller Live for years. The Songs from the Big Chair album was a massive seller in 1985, and this is the more durable of the two number ones, although “Shout” is plenty good. (41 points)

“Heaven” by Bryan Adams (1985) – Oh, the heartstrings are tugged. This ballad (there is that word again) was the number one from Adams’ Reckless album. This is typical stuff – not terrible, but more terrible when you see how it opened up his career to much more atrocious stuff (see Robin Hood). (31 points)

“Live To Tell” by Madonna (1986) – Both featured on Madonna’s True Blue album and the film At Close Range, which starred her husband-at-the-time Sean Penn, listening to this now feels like constant droning. This is a long enough post – life is short. It did remind me that they were married though, and made a bad movie together.

“On My Own” by Patti LaBelle and Michael McDonald (1986) – Really, it is inconceivable that a song like this would even be a major release now – let alone a number one. LaBelle and McDonald were big names – but clearly more adult contemporary now, than the exceedingly young pop stars of now. They weren’t has-beens – but they both achieved fame in the 1970s. But here is a duet, recorded in different cities – with LaBelle’s distinctive voice and McDonald’s rather glorious beard. But there is not much distinctive otherwise. (25 points)

“You Keep Me Hanging On” by Kim Wilde (1987) – One of the very few British solo women to ever have a number one, Kim Wilde actually had a big international hit in 1981 with “Kids in America”, which is probably more famous now than this. Of course, this is a cover of The Supremes classic – one of the best Motown songs of them all. Of course, Wilde covers it in a frankly, very archetypally 1980s way. It is a corruption of a Motown classic – no doubt – but thankfully the song itself is good enough to pull this through. (29 points)

“Always” by Atlantic Starr (1987) – First of all, Atlantic Starr sounds like a tech startup – not an 80s R&B group. One thing that is interesting for the genre is the co-ed leads. Usually, now a slow jam would be a male singer covered in sweat singing something to try to get the ladies to feel his muscles. So in that vein, this is a much different sort of ballad. But – it’s another easy listening sort of ballad which was amazingly successful in the decade, and I am trying not to nod off here. This is a hard genre to score high for me – but this might actually be better than I am going to give it credit for, but sorry. (26 points)

“Head to Toe” by Lisa Lisa and Cult Jam (1987) – Ah, this is more like it. I was about to fall asleep after the run of ballads before this. Lisa Lisa and Cult Jam was a freestyle band who had a couple of number ones in 1987, this being the first. In aesthetic, pacing, and hook – this is clearly something which is a time capsule from the mid 80s. Seriously, I’m talking about right down to the solid mulletude sported all around, including the afro-style ones. This is the sort of song which is hard to resist – even as I can call it trifle. (34 points)

“I Wanna Dance with Somebody (Who Loves Me)” by Whitney Houston (1987) – As the first single from Whitney Houston’s follow-up to her star making debut, this song did not really even have to be good to get to the top of the charts. (indeed, later is a terrific example of this) As you can discern from this series – I cannot discuss Whitney rationally. The songs are trifle – and she largely did not write them. And I have given thumbs down to songs like this before – but the performer really matters. Seriously (to paraphrase Bill Simmons), when you watch shows like American Idol or The Voice or any other extrusion, basically television has a subgenre dedicated essentially to finding Whitney Houston again. (36 points)

“Together Forever” by Rick Astley (1988) – The non-RickRoll of Astley’s two trips to the top of the chart, I actually like this song better. I remember it being one of the preset sequences on a keyboard we owned when I was a kid, and indeed the hook is really really catchy. The heavy production and heaping spoonfulls of bells and keyboards is very typical of some of the really successful Britpop of the decade, whether it be this stuff or Swing Out Sister, and stuff like that. Everything about this – the video with the overexposed filter, so they look even pastier than in real life – takes me back. It is an immensely charming, very dated piece. (37 points)

“Foolish Beat” by Debbie Gibson (1988) – Bless her heart, Debbie Gibson did write her own songs, which put her above Tiffany in the “mall pop” battle which took place in 1987-88 when they both burst on the scene. “Could’ve Been” by Tiffany was one of the worst #1 songs of the decade. And of course, for Gibson – it took … wait for it … a soppy ballad to get her first #1. But this is decidedly better than Tiffany, and as a self-written expression of teenage mopiness, I give some credit. It’s not especially simpering considering – which is a relief. Extra credit for the prominent sax solo, which really is something you don’t get anymore. (30 points)

“Rock On” by Michael Damian (1989) – A cover of David Essex’s 1973 hit, one of the worst pop songs of the 1970s, Michael Damian – who if I recall correctly, was on a soap opera at the time – delivers a cover which, while awful, is probably about as good as you can do with this song. That said, Essex had the excuse of doing the song first, where it might have been considered experimental. Either way, this song being made to service Dream A Little Dream, the terrible two Coreys film, is all too appropriate. (20 points)

“Wind Beneath My Wings” by Bette Midler (1989) – This is one of those songs which I have to grudgingly acknowledge is well written, from a Bert Bachrach “hitmaker” sort of perspective. The song’s shelf life has been considerable – probably fairly. But, come on now. It is simpering, soppy, everything else – that it is a fairly good example of it is not enough for me to revisit this for my pleasure. (23 points)

“I’ll Be Loving You (Forever)” by New Kids on the Block (1989) – Oh dear. I guess we’d have to wrestle with this at some point. I have friends who attended their concert a couple of years ago (?) – still getting fired up, moaning for their favorite kid (probably somewhat hipster ironically, but still). The nostalgia is powerful – and certainly the stuff in 1989 came out right at the beginning of my time of being aware of this stuff. But I did not really like this much at the time. (I will have to confess to other songs though) But of course, this is the sort of boy band manufactured ballad to get – well, in Tom Jones, it would have involved having lingerie thrown at them. NKOTB was a legitimate phenomenon then of course, and this was their first #1 – and the first single to prominently feature Jordan Knight’s high voice. I’m not sure if that is a plus. (26 points)

“Satisfied” by Richard Marx (1989) – The first single from Richard Marx’s (at the time) long-awaited follow up to his very successful debut – this song did not have to be good to hit the top. There are a ton of parts from the “80s song parts” store – the guitar solo in particular. This song has not really aged well for me – although the guitar riff is catchier than I perceived when I listened to it again. But the sound – especially with the subtle organ in the back is pretty dated. At the same time, there is enough silly here, especially in the video – the mullet, the heavy bag at the beginning, Marx’s attempts to look hard – that to give some “good-bad-video” points. (32 points)

The score now, with half a year of #1s?  Of course, we have the rest of the summer to go – and I know (and you can probably identify) some songs which are pretty clearly going to hit pretty darn high here.

Song Artist
1 West End Girls Pet Shop Boys
2 Kiss Prince
3 With or Without You U2
4 Beat It Michael Jackson
5 Billie Jean Michael Jackson
6 Rock With You Michael Jackson
7 Father Figure George Michael
8 Jump Van Halen
9 Livin on a Prayer Bon Jovi
10 Down Under Men At Work
11 Faith George Michael
12 How Will I Know Whitney Houston
13 Like a Virgin Madonna
14 The Tide Is High Blondie
15 Centerfold J Geils Band
16 (I Just) Died in Your Arms Cutting Crew
17 Don’t You (Forget About Me) Simple Minds
18 We Are the World USA For Africa
19 Like A Prayer Madonna
20 Greatest Love of All Whitney Houston
21 Everybody Wants to Rule The World Tears For Fears
22 Rapture Blondie
23 Man in the Mirror Michael Jackson
24 Careless Whisper Wham featuring George Michael
25 Footloose Kenny Loggins
26 Walk Like an Egyptian Bangles
27 Karma Chameleon Culture Club
28 I Love Rock and Roll Joan Jett and the Blackhearts
29 Celebration Kool and the Gang
30 So Emotional Whitney Houston
31 Two Hearts Phil Collins
32 Need You Tonight INXS
33 Call Me Blondie
34 Let’s Dance David Bowie
35 Never Gonna Give You Up Rick Astley
36 Together Forever Rick Astley
37 Time After Time Cyndi Lauper
38 Every Rose Has Its Thorn Poison
39 My Prerogative Bobby Brown
40 Got My Mind Set on You George Harrison
41 Get Outta My Dreams, Get Into My Car Billy Ocean
42 Addicted to Love Robert Palmer
43 Owner of a Lonely Heart Yes
44 I Wanna Dance With Somebody (Who Loves Me) Whitney Houston
45 Forever Your Girl Paula Abdul
46 Maneater Darryl Hall and John Oates
47 Another Brick in the Wall, Part 2 Pink Floyd
48 Rock Me Amadeus Falco
49 Chariots of Fire Vangelis
50 Open Your Heart Madonna
51 One More Try George Michael
52 Wishing Well Terrence Trent D’Arby
53 The Way You Make Me Feel Michael Jackson
54 Say, Say, Say Paul McCartney and Michael Jackson
55 9 to 5 Dolly Parton
56 Straight Up Paula Abdul
57 The Look Roxette
58 Head to Toe Lisa Lisa and Cult Jam
59 The Reflex Duran Duran
60 I Knew You Were Waiting (For Me) Aretha Franklin and George Michael
61 Flashdance … What a Feeling Irene Cara
62 That’s What Friends Are For Dionne Warwick
63 Physical Olivia Newton John
64 I Can’t Go For That Hall and Oates
65 I’ll Be There For You Bon Jovi
66 Crazy Little Thing Called Love Queen
67 Everything She Wants Wham
68 Africa Toto
69 Satisfied Richard Marx
70 Coming Up Paul McCartney
71 Come on Eileen Dexy’s Midnight Runners
72 These Dreams Heart
73 Anything For You Gloria Estefan and Miami Sound Machine
74 Heaven Bryan Adams
75 Ebony and Ivory Paul McCartney and Stevie Wonder
76 The Living Years Mike and the Mechanics
77 At This Moment Billy Vera and the Beaters
78 Bette Davis Eyes Kim Carnes
79 Foolish Beat Debbie Gibson
80 She Drives Me Crazy Fine Young Cannibals
81 Eternal Flame The Bangles
82 Kyrie Mr. Mister
83 Shake You Down Gregory Abbott
84 You Keep Me Hangin On Kim Wilde
85 Kiss Is On My List Hall and Oates
86 Funkytown Lipps, Inc
87 Let’s Hear It for the Boy DeNiece Williams
88 Keep on Loving You REO Speedwagon
89 Hello Lionel Richie
90 I Love a Rainy Night Eddie Rabbitt
91 Live to Tell Madonna
92 I’ll Be Loving You (Forever) New Kids on the Block
93 Lost in Your Eyes Debbie Gibson
94 Say You, Say Me Lionel Richie
95 Always Atlantic Starr
96 Nothing’s Gonna Stop Us Now Starship
97 (Just Like) Starting Over John Lennon
98 On My Own Patti LaBelle and Michael McDonald
99 Crazy for You Madonna
100 Seasons Change Expose
101 Can’t Fight This Feeling REO Speedwagon
102 One More Night Phil Collins
103 I Want to Know What Love Is Foreigner
104 Stars on 45 Medley Stars on 45
105 Escape (The Pina Colada Song) Rupert Holmes
106 Wind Beneath My Wings Bette Midler
107 Sara Starship
108 Lean on Me Club Nouveau
109 Baby, Come to Me Patti Austin and James Ingram
110 Against All Odds (Take A Look At Me Now) Phil Collins
111 Where Do Broken Hearts Go Whitney Houston
112 Could’ve Been Tiffany
113 Do That To Me One More Time Captain and Tennille
114 Jacob’s Ladder Huey Lewis and the News
115 Morning Train (Nine to Five) Sheena Easton
116 When I’m With You Sheriff
117 Rock On Michael Damian
118 Please Don’t Go KC and the Sunshine Band

Every #1 Song of the 1980s – Series 5

Click for links to Series 4,  Series 3, Series 2, and Series 1 and a quick study of #2 songs

After a brief foray to look at the songs which just missed #1, back to our regularly scheduled programming.  As we add songs – looking through the month of May in the 1980s, the list starts to add songs which evoke summer – and some of the biggest songs of them all.

“Funkytown” by Lipps, Inc (1980) – This is definitely evidence that not everything that endures is that good. Given what was available in the disco, or back end of disco – it is hard to call this a particularly distinguished entry. That said, whether it is via Dumb and Dumber or whatever, this is certainly one of the most well known dance songs of all time. But I cannot generate much enthusiasm here. (29 points)

“Morning Train (9 to 5)” by Sheena Easton (1981) – This might be the strangest number one song of the entire decade. It is clearly one of the worst – indeed, this has nothing in common with the rest of Easton’s 80s career. Seriously – if you have any recollection of Sheena Easton, it was going to be for her hooking up with Prince in the “Sign O The Times” era. Or even earlier – songs that evoke aerobics, like you know …

But no – her biggest hit was actually THIS song – which seems to comparatively have been done with a lobotomy. (20 points)

“Bette Davis Eyes” by Kim Carnes (1981) – The biggest single of 1981, Carnes was one of those – like Dolly Parton and Eddie Rabbitt – who found success under the country crossover trend which took hold at the beginning of the decade. By the fates of many of the songs in this part of the decade, this song should not have aged as well as it has. It’s not a great song – but it has endured. (30 points)

“Chariots of Fire” by Vangelis (1982) – Ah, one of those songs that is so well known as to be cliche. It is hard to even type this without lapsing into that slow motion. This is probably the best movie song of the decade – not the best song in a movie – but in terms of evoking the movie (or running generally). Few songs have fit its subject better. (36 points)

“Ebony and Ivory” by Paul McCartney and Stevie Wonder (1982) – This was one of the biggest hits of 1982, so that can’t be denied. But of the big hits of the decade, it is among the most dated. OF course it was a huge hit – a collaboration of two of the most illustrious composers of their time. But honestly – I’d rush past this if I had to put together a tribute. It’s fame and whatnot carry this to a higher score than it frankly deserves. (31 points)

“Let’s Dance” by David Bowie (1983) – Bowie’s second number one, it was well known that Let’s Dance was put together with radio in mind. Bowie hired Nile Rodgers as a hitmaker to get him some commercial pop. Bowie was not a fan of this part of his era – which is not surprising given what an uncompromising artist he was. At the same time, he sells himself short. Sure this was pure pop – but it was an excellent example of the form. (38 points)

“Flashdance … What a Feeling” by Irene Cara (1983) – Cara had a big hit with another dance movie title in 1980 with “Fame”. Flashdance itself was a disposable movie, but definitely a piece of 1980s time capsule material. The song is indelible – although about 40% of the time I am not sure if that is a good thing. (34 points)

“Hello” by Lionel Richie (1984) – Oh my. There is a lot to unpack here. This is a typical lousy Lionel Richie croon-fest – even if it is his most well known one. Normally, this would be good for a real toilet bowl score – but the video is pretty great. This is one of those narrative ones, where “Hello” is a tale of romance where Richie is touched by a blind love. At the end she presents him something she sculpted which is “how I see you” which looks less like Richie than 1984 vintage John Oates. Hey if it’s going to suck, might as well get a laugh. (28 points)

“Let’s Hear it for the Boy” by DeNiece Williams (1984) – The other big hit and Oscar nominated song from Footloose, this was DeNiece Williams’ biggest hit. It’s silly – in so many ways, the video, the tempo – for years I kept thinking this was a Lisa Lisa song. This song is okay enough, but has not aged well. (29 points)

“Crazy for You” by Madonna (1985) – Madonna’s 2nd number one, this was yet another movie song (Vision Quest, which features a very early Linda Fiorentino, known for Men in Black for you but probably The Last Seduction for me) Madonna would have a lot of big hits which would define cultural zeitgeist blah blah blah. We can move on now, right? (24 points)

“Don’t You (Forget About Me)” by Simple Minds (1985) – One of the metrics I have tinkered with is “Capture the 1980s” and really will any song fit the bill better than this one? It was the central song from one of the most well known and “80s” of 1980s movies (The Breakfast Club). This song’s pop historical importance is beyond consensus at this point, even if Simple Minds themselves only had a brief flicker. (42 points)

“Everything She Wants” by Wham! (1985) – Sort of the forgotten child of Wham’s three biggest hits – but it probably shouldn’t be. It’s still a good song in its own right. At the same time, I still had to remember that this happened, so there you go. (32 points)

“Addicted to Love” by Robert Palmer (1986) – Like the Simple Minds song earlier, the story of the decade cannot be written without this song. The videos clearly shape the endurance of this song, but hey – there you go. As a rock song, this has survived – and largely on merit. Palmer had a terrific rock singer voice. But then, there are the models – who are clearly there as objects – the background images for almost any memory of Palmer. (37 points)

“West End Girls” by Pet Shop Boys (1986) – The second perfect score so far, this is The Pet Shop Boys biggest US hit. This is an objectively flawless synth-new wave song which hits all the markers. The lyrics have some social consciousness for them, the song has not dated in any meaningful way. When I put this on to find the video clip, I listened to it seven more times. Like the songs at the very top of this list, this is both a great example of the 1980s, and transcendent – it’s one of the best songs of this or any other decade. (50 points)

“Greatest Love of All” by Whitney Houston (1986) – The last and biggest single from her debut album, this is one of the songs most indelibly etched on my elementary school childhood. I remember doing it in music class in 3rd/4th grade. Not all of Whitney’s ballads were good – most were kind of simpering. But this is an order of magnitude above it, and still works on its cheesy, intended level. (41 points)

“(I Just) Died in Your Arms” by Cutting Crew (1987) – While the Pet Shop Boys and Whitney Houston were among the most enduring acts of the decade. In fact, a lot of the higher ranked songs on this list are things which endured because of enduring artists. And then, you have this – one of the best songs of the decade for my money – but dropped in from space by a band who would not do anything else I’d remember again. The song’s importance is hard to argue – but it’s quality as a pop song isn’t. (42 points)

“With or Without You” by U2 (1987) – I’ve seen U2 twice, both on lucky breaks. While they are not my favorite band or anything – at a certain point you don’t turn the chance to see an act of that magnitude down, especially when you only had to pay face value for the tickets. They were good both times, even if they were promoting largely meh albums. And of course – even while promoting, say “Vertigo”, they were not going to leave without stuff from this vintage. This song, the first of their two #1 songs, does not need much explanation. It’s one of their signature songs, one of the best pop songs ever made, and that it unleashed Bono on the world ever since is not the song’s fault. (50 points)

“Wishing Well” by Terrence Trent D’Arby (1988) – When I listen to the weekly Top 40 on Sirius XM, when they do 1988 and this song comes up, the DJ always notes the same story, about how Terrence Trent D’Arby declared his debut as the most important album since Sgt Pepper, the sort of deluded, lofty claim that is now reserved for rappers (specifically rappers whose name rhymes with Munyay Test). While clearly that did not work out – his lone #1 remains an earworm with a hook which is hard to get out of your head. (and that is a compliment, mostly) (35 points)

“Anything for You” by Gloria Estefan and Miami Sound Machine (1988) – As is typical, a band who produced some pretty good up-tempo, fun dance music – has its first #1 with a croony ballad. There is not much to say here – aside from hoping this turned into “The Rhythm is Gonna Get You” (31 points)

“One More Try” by George Michael (1988) – I think this ended up one of the best selling singles of the calendar year. Again, the lure of the ballad to the top of the charts. It was not the best ballad on the Faith album – “Kissing a Fool” is pretty clearly a better song both musically and vocally. It’s good by simpering ballad standards, but that is about it. (36 points)

“I’ll Be There For You” by Bon Jovi (1989) – The band’s fourth #1, and it’s least. It has not survived the way “Living on a Prayer” has, and has frankly, been drowned out by numerous other successful, better monster ballads. I will note that it seems the band’s hair looks especially well conditioned here – I am not sure if that is worth extra credit. (33 points)

“Forever Your Girl” by Paula Abdul (1989) – This is one of the songs which I like much better now than I did in 1989. I guess it was partly being inundated with her popularity – the way any popular artist on the radio starts to grate. This is probably not as well known now as “Straight Up”, but it is a catchier song with a cheekier video (kids help) – even if there is no Arsenio Hall cameo. (35 points)

So – through the Month of May – we are up to exactly 100 songs. The current scoreboard? See below, complete with a new #1.

Song Artist
1 West End Girls Pet Shop Boys
2 Kiss Prince
3 With or Without You U2
4 Beat It Michael Jackson
5 Billie Jean Michael Jackson
6 Rock With You Michael Jackson
7 Father Figure George Michael
8 Jump Van Halen
9 Livin on a Prayer Bon Jovi
10 Down Under Men At Work
11 Faith George Michael
12 How Will I Know Whitney Houston
13 Like a Virgin Madonna
14 The Tide Is High Blondie
15 Centerfold J Geils Band
16 (I Just) Died in Your Arms Cutting Crew
17 Don’t You (Forget About Me) Simple Minds
18 We Are the World USA For Africa
19 Like A Prayer Madonna
20 Greatest Love of All Whitney Houston
21 Rapture Blondie
22 Man in the Mirror Michael Jackson
23 Careless Whisper Wham featuring George Michael
24 Footloose Kenny Loggins
25 Walk Like an Egyptian Bangles
26 Karma Chameleon Culture Club
27 I Love Rock and Roll Joan Jett and the Blackhearts
28 Celebration Kool and the Gang
29 So Emotional Whitney Houston
30 Two Hearts Phil Collins
31 Need You Tonight INXS
32 Call Me Blondie
33 Let’s Dance David Bowie
34 Never Gonna Give You Up Rick Astley
35 Every Rose Has Its Thorn Poison
36 My Prerogative Bobby Brown
37 Got My Mind Set on You George Harrison
38 Get Outta My Dreams, Get Into My Car Billy Ocean
39 Addicted to Love Robert Palmer
40 Owner of a Lonely Heart Yes
41 Forever Your Girl Paula Abdul
42 Maneater Darryl Hall and John Oates
43 Another Brick in the Wall, Part 2 Pink Floyd
44 Rock Me Amadeus Falco
45 Chariots of Fire Vangelis
46 Open Your Heart Madonna
47 One More Try George Michael
48 Wishing Well Terrence Trent D’Arby
49 The Way You Make Me Feel Michael Jackson
50 Say, Say, Say Paul McCartney and Michael Jackson
51 9 to 5 Dolly Parton
52 Straight Up Paula Abdul
53 The Look Roxette
54 I Knew You Were Waiting (For Me) Aretha Franklin and George Michael
55 Flashdance … What a Feeling Irene Cara
56 That’s What Friends Are For Dionne Warwick
57 Physical Olivia Newton John
58 I Can’t Go For That Hall and Oates
59 I’ll Be There For You Bon Jovi
60 Crazy Little Thing Called Love Queen
61 Everything She Wants Wham
62 Africa Toto
63 Come on Eileen Dexy’s Midnight Runners
64 These Dreams Heart
65 Anything For You Gloria Estefan and Miami Sound Machine
66 Ebony and Ivory Paul McCartney and Stevie Wonder
67 The Living Years Mike and the Mechanics
68 At This Moment Billy Vera and the Beaters
69 Bette Davis Eyes Kim Carnes
70 She Drives Me Crazy Fine Young Cannibals
71 Eternal Flame The Bangles
72 Kyrie Mr. Mister
73 Shake You Down Gregory Abbott
74 Kiss Is On My List Hall and Oates
75 Funkytown Lipps, Inc
76 Let’s Hear It for the Boy DeNiece Williams
77 Keep on Loving You REO Speedwagon
78 Hello Lionel Richie
79 I Love a Rainy Night Eddie Rabbitt
80 Lost in Your Eyes Debbie Gibson
81 Say You, Say Me Lionel Richie
82 Nothing’s Gonna Stop Us Now Starship
83 (Just Like) Starting Over John Lennon
84 Crazy for You Madonna
85 Seasons Change Expose
86 Can’t Fight This Feeling REO Speedwagon
87 One More Night Phil Collins
88 I Want to Know What Love Is Foreigner
89 Escape (The Pina Colada Song) Rupert Holmes
90 Sara Starship
91 Lean on Me Club Nouveau
92 Baby, Come to Me Patti Austin and James Ingram
93 Against All Odds (Take A Look At Me Now) Phil Collins
94 Where Do Broken Hearts Go Whitney Houston
95 Could’ve Been Tiffany
96 Do That To Me One More Time Captain and Tennille
97 Jacob’s Ladder Huey Lewis and the News
98 Morning Train (Nine to Five) Sheena Easton
99 When I’m With You Sheriff
100 Please Don’t Go KC and the Sunshine Band

Interlude – #2 Songs of the 1980s

(for links to the #1s so far click for Series 1, Series 2, Series 3 and Series 4)

After a survey of the first four months of number one songs in the 1980s, it is pretty clear that there are no real baseline qualities for what gets to the Top of the Pops. There are good, and clearly, there are very bad. So clearly being #1 is not sufficient criteria for pop immortality. Indeed, there is a rich history of #2 songs in the decade – here are my favorite from each year.

1980 – “Working My Way Back to You/Forgive Me Girl” by The Spinners. 1980 was not a difficult call among #2s. The silver medal is really more gloriously cheesy than actually good (“Ride Like the Wind” by Christopher Cross). The Spinners are not a vocal group who rolls off the tongue the same way you get from say The Temptations or The Four Tops, but you look at the record and they had a ton of songs everybody knows. “Could it be I’m Falling in Love”, “Rubberband Man”, “Then Came You”. This cover is one of their best. Extra points for the suits.

1981 – “Just the Two of Us” by Grover Washington Jr/Bill Withers. 1981 was a tough competition for #2s. Indeed, both George Harrison (“All Those Years Ago”) and John Lennon had #2s (Lennon’s “Woman” being his finest song). But despite how much of a Beatles fan I am – Washington’s music and Wither’s vocals are just too much.

1982 – “We Got the Beat” by The Go-Gos. This was held out of the #1 spot by “I Love Rock and Roll” – and of course it is the Go-Go’s signature song. This is one of the songs that has not really dated – it still kicks ass.

1983 – “Electric Avenue” by Eddy Grant. This was tricky – as Culture Club had a pair of number 2 hits in 1983 – including “Do You Really Want to Hurt Me” and “Time (Clock of the Heart)” (“Time won’t give me time” – has any philosopher expressed the problem with life better?) But this reggae-pop tune is one of the real earworms of the decade. It’s appeal is a bit more time capsule – but it still works, “oy!!!”

1984 – “Girls Just Wanna Have Fun” by Cyndi Lauper. This was a very very tough field with “Purple Rain” and “Somebody’s Watching Me” by Rockwell (which still features the most amazing guest vocal credit in history given the artists actual obscurity). But while seeing multiple people belt out “Purple Rain” in karaoke – Lauper’s signature song is more fun and memorable (or maybe I am nostalgic for Capitan Lou Albano) – and she really can sing.

1985 – “Easy Lover” by Philip Bailey and Phil Collins. This is one of my favorite disposable pop songs ever. Bailey, the high voice in Earth, Wind and Fire, only really had this as his big pop solo success. This song has everything good pop music has – a great hook, something to falsetto to, and an energetic beat. Considering “Raspberry Beret” and “You Belong to the City” by Glenn Frey were among 1985’s candidates (and if we are honest “Raspberry Beret” is a better song), coming out on top took something.

1986 – “Manic Monday” by the Bangles. When I am feeling snarky, I cite this as Prince’s best song. Certainly this is an objectively perfect song – both musically and lyrically. No case of the Mondays has ever been expressed better.

1987 – “I Want Your Sex” by George Michael. Just like how “Billie Jean” was actually not the first single on Thriller, actually THIS was the first single released from George Michael’s explosion onto the solo scene. If I remember correctly, this song was featured in the second Beverly Hills Cop movie. Either way, I remember this being amazingly controversial when it came out – even if it seems rather tame now. It’s doubly funny given his own sexual orientation. As I have noted before – among closeted singers, Michael was remarkably convincing in 1987.

1988 – “What Have I Done to Deserve This?” by Pet Shop Boys. I noted above that The Spinners were one of those bands where you kind of don’t realize just how many hits they produced. They weren’t exactly obscure – just not something which leaps to mind. In perusing 1980s music for this missive – or just First Wave on Sirius, you forget how successful (and good) the Pet Shop Boys were. One of the more successful duos in history (and I think the most among Brits) – this is one of their biggest hits. Dusty Springfield’s hairdo is a bit unfortunate and dated though.

1989 – “Love Song” by The Cure. Speaking of First Wave, we come to the kings of mopey ballads, the Cure. One of the inexplicable things about Top 40 radio is how a classic mopey love song like “Just Like Heaven” barely nicked the Top 40 – but this gets to #2. I’m not complaining, this is a terrific song in its own right. I’m just noting that you would never pick this over “Just Like Heaven”

BONUS: Back to 1988. Interestingly Def Leppard would hit number one – but not with their signature song. Growing up, this would always be very high when MTV did their Top 100 videos of all time. This was a #2 as well. And as long as there are people dancing for money – did they know this was the song’s eternal destiny? Did Jack White know that his ultimate legacy will be a hook pep bands play? I don’t know.

BONUS 2: Back to 1989. Can people really deal honestly with the idea that Milli Vanilli, by dance-pop standards, was actually good? The scandal of their lip syncing is well known – but you can’t unhear the songs. Given how manufactured so many pop singers are in 2017 – you still have to give a hat tip to the songs produced. Milli Vanilli might be a punch line – but “Girl You Know It’s True” would still work.

Every #1 Song of the 1980s – Series 4

Click for links to Series 3, Series 2, and Series 1 

As we head into Easter, it seemed more than due time to get us through April in this survey of the 1980s.  You can go to the bottom of this entry for the full tally.  Looking at this list, there is a lot of iconic 80s stuff – not all of it is good, but there are a good number which clearly would fit within the framework of “things which I’d show space aliens who wanted to know the milieu.”

“Another Brick In the Wall, Part 2” by Pink Floyd (1980) – Pink Floyd’s only #1 and last chart hit. If you think about it – it seems weird that Pink Floyd had any sort of success on charts like these. But of course this was from The Wall, pretty clearly the most f’ed up musical in movie (or theater) history. Of course, it means the imagery was remarkable – it’s Floyd, expect no less. Like a lot of the early early 80s, it stands outside of the decade. It’s not my favorite song on the soundtrack of course, so a little gets dinged there. (36 points)

“Call Me” by Blondie (1980) – The year-end #1 song of 1980, Blondie is one of the acts which has not dated meaningfully. Unlike other music of the early early 80s, you can see Blondie’s resonance further on in the decade, even as other artists were more synth based. The New Wave was a defining idea for the decade and Blondie clearly is among the leaders. This is not my favorite Blondie song – but that says more about the catalog. (38 points)

“Keep On Loving You” by REO Speedwagon (1981) – One of the earlier examples of the power ballad format, this was the first of two Speedwagon #1s. For some reason, I always get REO and Supertramp confused when I hear them on the radio. Either way, like Supertramp, REO are on the list with Bachman Turner Overdrive of bands I’d banish from Classic Rock on the grounds they are not classic to anybody. That being said, I am reminded of an old Letterman Top 10 list, “Ways to make Arafat [the former PLO leader] Angry” and one was “Ask him why he doesn’t call it PLO Speedwagon anymore.” (28 points)

“Rapture” by Blondie (1981) – Is this the first occurrence of “rap” on a pop track? I don’t know. There is a shout-out to Fab 5 Freddy though. Like most other Blondie, this is a pretty great song. It is hard to add much more. (40 points)

“Kiss Is On My List” by Hall and Oates (1981) – One of the more forgettable of the Hall and Oates entries on this list. There is nothing “wrong” here – it is a good hook, but overall the song is not as catchy as their other number ones and no visual accompaniment as memorable/ridiculous. (29 points)

“I Love Rock and Roll” by Joan Jett and the Blackhearts (1982) – Coincidentally, I was listening to an old top 40 from 1982 during this song’s 7-week run at the top. It held off the Go-Go’s signature “We Got the Beat”, which will undoubtedly be part of a compilation of great #2s of the decade (if I ever get around to it). Sometimes noting a song like this was among the most successful hit singles of the 80s make me think teenagers then had better taste. This Arrows cover being a #1 now would be unthinkable. This is just an iconic, garage-band sort of rock song – it takes a heart of stone to resist. (38 points)

“Come on Eileen” by Dexy’s Midnight Runners (1983) – What is more “of a decade” than a band which you would never hear of again? Dexy’s Midnight Runners certainly qualifies – and this song has persisted, just by simply being so unusual. All these years later, I am not sure if it is good – but I can’t get rid of it either. (31 points)

“Beat It” by Michael Jackson (1983) – The follow up to “Billie Jean” in 1983. Has anybody since the Beatles loaded up like this? Possibly Jackson, in 1970 (“ABC”, “I Want You Back”) and 1979 (“Don’t Stop Til You Get Enough”, “Rock With You”). While other artists were better and you sensed songs being ripped from their hearts, Jackson was a master at entertainment craft, and this song exemplifies that as well as any. The driving beat, the Eddie Van Halen guitar solo in the middle, connected with the dancing and visuals. “Billie Jean” deserves its place, but this is the song I prefer of the two. (49 points)

“Footloose” by Kenny Loggins (1984) – The biggest hit of the 80’s soundtrack king’s various 80’s movie hits. My four year old knows and likes this song – which given this seems appropriate. When I was younger, I thought “Danger Zone” was better – but time, parenthood and frankly good sense has righted the ship. It is a silly movie with a silly title song and it takes a total grinch to fight it. (39 points)

“Against All Odds (Take A Look At Me Now)” by Phil Collins (1984) – I like Phil Collins, as noted before. And certainly his voice is one of the indelible parts of 1980s pop music. And when an earnest movie wanted an earnest theme, there he was. It is the sort of ballad which gets #1s and Oscar nominations. It is also hard to stomach, even then. (22 points)

“Can’t Fight This Feeling” by REO Speedwagon (1985) – Wait, REO, again? Weren’t we just here? Aside from the hair, there is nothing to see here. (24 points)

“One More Night” by Phil Collins (1985) – One of the big hits from Collins’ No Jacket Required, which had a lot of hits. Alas, all of them are better – I am not sure if I will be uniformly derisive of all of Collins’ ballads, but this is not a good start. (24 points)

“We Are The World” by USA For Africa (1985) – Really, there is nothing more “80s” than this. A song for a cause with all of the big artists of the day, written by Lionel Richie and Michael Jackson. You have a separate shot of Michael Jackson dropped in where he sings his part in one of his shiny Capitain Crunch uniforms. Playing “name that celebrity” never gets old when watching this. I like the separate solo takes by Dylan (which seems from another song – as is often the case with Dylan) and Bruce Springsteen, who sounds like he is on the toilet. (42 points)

“Sara” by Starship (1986) – When I heard “White Rabbit” for the first time as a teenager, I wondered if Jefferson Airplane offered the most drugged out band I had ever heard. Now I realize that Grace Slick must have really been messed up when she agreed to return to Starship for it’s (very successful) 1980’s incarnation. They hit #1 three times, and this is the least offensive of the songs. (23 points)

“These Dreams” by Heart (1986) – An interesting side post (if I ever get to it) should cover the final #1 pop hits for many bands who are pretty darn great or respectable. This was Heart’s breakthrough – and of course it is not a very good song compared to some of their 70s best. It’s not even their best #1 – but that is neither here nor there. Despite Heart’s core as a kick ass rock band, this is pretty darn cheesy. (31 points)

“Rock Me Amadeus” by Falco (1986) – Another artist who has since disappeared, Falco broke through in the States via other artists’ cover of his stuff, most notably “Der Komissar”. This is a song which is very much a time capsule of 1986 – I even remember the chorus from hearing it in grade school. Listening to it now, it does actually grow in stature though. It sits in the same sort of “time capsule” zone as things like dance crazes, The Macarena, Ray Stevens in the 70s. But it really is a superior version of 80s synth-pop. (36 points)

“Kiss” by Prince (1986) – And here we are, the first 50. Prince had four number ones in the 1980s, and surely the stuff from Purple Rain deserves its plaudits. “When Doves Cry” is a great song, with its amazing guitar and lack of a bass. “Kiss” on the other hand, is remarkably stripped down – almost perfect piece of minimalist funk. The lyrics are playful and sexy, and the riff is one of the most addictive in pop history. It’s one of the great songs of the Rock and Roll Era. (50 points)

“Jacob’s Ladder” by Huey Lewis and the News (1987) – Huey Lewis’ third and final number one, I barely remembered this song. Looking at it now, I still don’t remember it. It lacks the garage band or doo-wop sorts of elements which typified the band’s best work. Why did I type so much about this? (21 points)

“Lean on Me” by Club Nouveau (1987) – Along with P Diddy’s, “Public Enemy Number One”, this belongs on the rare air of worst covers ever made. That is gets any score at all comes from the strength of the Withers original, and how I pine for it after hearing this. (23 points)

“Nothing’s Gonna Stop Us Now” by Starship (1987) – “Sara” is a better song. But this is a more memorable, and stupider video. Much like Chicago in the 1980s, the distance traveled from the band’s beginning to this point is astonishing, and hard to stomach. (26 points)

“I Knew You Were Waiting (For Me)” by Aretha Franklin and George Michael (1987) – Another song I don’t really have a lot to add to. Both singers sound terrific here, and this is just a solid effort overall. It deserves its success. (34 points)

“Never Gonna Give You Up” by Rick Astley (1988) – Would this song have a high score without the Rickroll phenomenon? Probably not. But Rick Astley himself notes that it clearly has helped his work survive, and it is a good thing too. Is this clearly cheesy 80s Britpop? Heck yeah, but it is a very good example of it – it’s cheese does not detract from it’s ability to make me happy when I hear it. (38 points)

“Man in the Mirror” by Michael Jackson (1988) – For a while, I thought this was the best single released from the Bad album. Heck, I can’t imagine being able to tell my children how real life, like real news, stopped for an album release – but that’s where Michael Jackson was when this album rolled off the shelves. This is still my favorite of the five #1s, although “Smooth Criminal” is clearly the best of the charting singles. (40 points)

“Get Outta My Dreams, Get Into My Car” by Billy Ocean (1988) – Everything about this makes me giggle: the ridiculous video, the starting command “Hey, you – get into my car” which reads as rather threatening now, and the song itself which is just a good piece of cheesy 80s popular RnB. (37 points)

“Where Do Broken Hearts Go” by Whitney Houston (1988) – A simpering Whitney Houston ballad – the silly video is not enough to redeem it even as kitsch. But it is clearly of a style which is chart catnip. (22 points)

“The Living Years” by Mike and the Mechanics (1989) – With this, Mike Rutherford became the third Genesis member to get to #1, one of only two bands to have produced such prolific solo work. (no points for figuring out the other band) This song about the difficulty of communication actually is kind of resonant – especially now as an old fogey. It’s a bit more somber than other stuff that hit in the decade – but unlike a lot of those entries, it’s actually fairly good. (30 points)

“Eternal Flame” by The Bangles (1989) – Oh, the rock ballad. The Bangles were not immune, though clearly doing this was not a consensus opinion. They broke up four months later. This is an okay song I guess – but the crass commercialness of it – hey, a ballad – and leaning into girly stuff which sells in our patriarchal cultural paradigm etc etc – ick! (30 points)

“The Look” by Roxette (1989) – Somewhere between the one-hit wonder, and the enduring superstars is something like Roxette. The Swedish duo’s shelf life was short (2 years?), but remarkably successful. This was their first US hit and (self evidently) their first #1. “Listen to Your Heart” has endured more just by the covers it has inspired, but this is a pretty good 80s song. I still like the hook a lot. (34 points)

“She Drives Me Crazy” by Fine Young Cannibals (1989) – I think their The Raw and The Cooked (a terrific title) was the top selling album of 1989. This is a very hard song to forget because of Roland Gift’s falsetto throughout. It’s also a very hard song to get out of my head when it enters – although most of the time this reality is annoying. (30 points)

“Like A Prayer” by Madonna (1989) – We end the survey of the 80s through April with one of the biggest deals I can remember as a kid with pop music. Pepsi was sponsoring the launch of the video – and it was supposed to get this huge rollout, until the video itself appeared. Then, of course, with its religious imagery and such – Madonna was tempting derision from those who find derision professionally, as she often does. That said, the plundering of gospel here does make for a pretty good song – and a video which can poke various bears gets extra points anyway. (42 points)

Whew, the scoreboard through April.

Song Artist
1 Kiss Prince
2 Beat It Michael Jackson
3 Billie Jean Michael Jackson
4 Rock With You Michael Jackson
5 Father Figure George Michael
6 Jump Van Halen
7 Livin on a Prayer Bon Jovi
8 Down Under Men At Work
9 Faith George Michael
10 How Will I Know Whitney Houston
11 Like a Virgin Madonna
12 The Tide Is High Blondie
13 Centerfold J Geils Band
14 We Are the World USA For Africa
15 Like A Prayer Madonna
16 Rapture Blondie
17 Man in the Mirror Michael Jackson
18 Careless Whisper Wham featuring George Michael
19 Footloose Kenny Loggins
20 Walk Like an Egyptian Bangles
21 Karma Chameleon Culture Club
22 I Love Rock and Roll Joan Jett and the Blackhearts
23 Celebration Kool and the Gang
24 So Emotional Whitney Houston
25 Two Hearts Phil Collins
26 Need You Tonight INXS
27 Call Me Blondie
28 Never Gonna Give You Up Rick Astley
29 Every Rose Has Its Thorn Poison
30 My Prerogative Bobby Brown
31 Got My Mind Set on You George Harrison
32 Get Outta My Dreams, Get Into My Car Billy Ocean
33 Owner of a Lonely Heart Yes
34 Maneater Darryl Hall and John Oates
35 Another Brick in the Wall, Part 2 Pink Floyd
36 Rock Me Amadeus Falco
37 Open Your Heart Madonna
38 The Way You Make Me Feel Michael Jackson
39 Say, Say, Say Paul McCartney and Michael Jackson
40 9 to 5 Dolly Parton
41 Straight Up Paula Abdul
42 The Look Roxette
43 I Knew You Were Waiting (For Me) Aretha Franklin and George Michael
44 That’s What Friends Are For Dionne Warwick
45 Physical Olivia Newton John
46 I Can’t Go For That Hall and Oates
47 Crazy Little Thing Called Love Queen
48 Africa Toto
49 Come on Eileen Dexy’s Midnight Runners
50 These Dreams Heart
51 The Living Years Mike and the Mechanics
52 At This Moment Billy Vera and the Beaters
53 She Drives Me Crazy Fine Young Cannibals
54 Eternal Flame The Bangles
55 Kyrie Mr. Mister
56 Shake You Down Gregory Abbott
57 Kiss Is On My List Hall and Oates
58 Keep on Loving You REO Speedwagon
59 I Love a Rainy Night Eddie Rabbitt
60 Lost in Your Eyes Debbie Gibson
61 Say You, Say Me Lionel Richie
62 Nothing’s Gonna Stop Us Now Starship
63 (Just Like) Starting Over John Lennon
64 Seasons Change Expose
65 Can’t Fight This Feeling REO Speedwagon
66 One More Night Phil Collins
67 I Want to Know What Love Is Foreigner
68 Escape (The Pina Colada Song) Rupert Holmes
69 Sara Starship
70 Lean on Me Club Nouveau
71 Baby, Come to Me Patti Austin and James Ingram
72 Against All Odds (Take A Look At Me Now) Phil Collins
73 Where Do Broken Hearts Go Whitney Houston
74 Could’ve Been Tiffany
75 Do That To Me One More Time Captain and Tennille
76 Jacob’s Ladder Huey Lewis and the News
77 When I’m With You Sheriff
78 Please Don’t Go KC and the Sunshine Band

2017 NCAA Bradley Terry Bracket #14 (March 11 – CHAMP WEEK 4)

BASED ON CURRENT RATINGS:  WEST v SOUTH, EAST v MIDWEST

WEST REGION (San Jose, CA)

  • (1) Gonzaga v (16) TEXAS SOUTHERN/UC-DAVIS
  • (8) Oklahoma State v (9) Northwestern
  • (4) Virginia v (13) EAST TENNESSEE STATE
  • (5) Saint Mary’s v (12) VERMONT
  • (2) DUKE v (15) KENT STATE
  • (7) Butler v (10) Michigan State
  • (3) Baylor v (14) NORTHERN KENTUCKY
  • (6) WICHITA STATE v (11) Dayton

EAST REGION (New York, NY)

  • (1) Villanova v (16) SOUTH DAKOTA STATE/MOUNT SAINT MARY’S
  • (8) Arkansas v (9) Wake Forest
  • (4) Florida State v (13) PRINCETON
  • (5) IOWA STATE v (12) NEVADA
  • (2) North Carolina v (15) Troy
  • (7) Michigan v (10) Kansas State
  • (3) Oregon v (14) IONA
  • (6) Creighton v (11) VCU

MIDWEST REGION (Kansas City, MO)

  • (1) Kansas v (16) NC CENTRAL
  • (8) Maryland v (9) Seton Hall
  • (4) Florida v (13) NEW MEXICO STATE
  • (5) Notre Dame v (12) UNC-WILMINGTON
  • (2) Arizona v (15) NORTH DAKOTA
  • (7) Minnesota v (10) South Carolina
  • (3) Louisville v (14) FLORIDA GULF COAST
  • (6) Cincinnati v (11) Clemson/Indiana

SOUTH REGION (Memphis, TN)

  • (1) Kentucky v (16) JACKSONVILLE STATE
  • (8) Miami-FL v (9) Xavier
  • (4) Purdue v (13) WINTHROP
  • (5) SMU v (12) MIDDLE TENNESSEE
  • (2) UCLA v (15) NEW ORLEANS
  • (7) Virginia Tech v (10) Marquette
  • (3) West Virginia v (14) BUCKNELL
  • (6) Wisconsin v (11) USC/Vanderbilt

Last four byes: South Carolina, Xavier, Michigan State, Indiana

Last four in: Clemson, USC, Vanderbilt, Indiana

First four out: Providence, TCU, Rhode Island, Georgia

Next four out: Syracuse, Illinois, California, Illinois State

Four more: Iowa, Texas Tech, Alabama, Pittsburgh

2017 NCAA Bradley Terry Bracket #13 (March 7 – CHAMP WEEK 3)

BASED ON CURRENT RATINGS:  WEST v SOUTH, EAST v MIDWEST

WEST REGION (San Jose, CA)

  • (1) Gonzaga v (16) NC Central/Texas Southern
  • (8) Wake Forest v (9) South Carolina
  • (4) Florida State v (13) EAST TENNESSEE STATE
  • (5) SMU v (12) Vermont
  • (2) Louisville v (15) IONA
  • (7) Creighton v (10) Clemson
  • (3) West Virginia v (14) FLORIDA GULF COAST
  • (6) Wisconsin v (11) UNC-WILMINGTON

EAST REGION (New York, NY)

  • (1) Villanova v (16) SOUTH DAKOTA STATE/MOUNT SAINT MARY’S
  • (8) Michigan v (9) Kansas State
  • (4) Virginia v (13) Texas-Arlington
  • (5) Saint Mary’s v (12) Nevada
  • (2) Baylor v (15) NORTHERN KENTUCKY
  • (7) Virginia Tech v (10) Seton Hall
  • (3) Florida v (14) Akron
  • (6) WICHITA STATE v (11) Michigan State

MIDWEST REGION (Kansas City, MO)

  • (1) Kansas v (16) New Orleans
  • (8) Minnesota v (9) Marquette
  • (4) Oregon v (13) Princeton
  • (5) Notre Dame v (12) Middle Tennessee
  • (2) North Carolina v (15) Eastern Washington
  • (7) Maryland v (10) Arkansas
  • (3) Arizona v (14) Bucknell
  • (6) Iowa State v (11) Xavier

SOUTH REGION (Memphis, TN)

  • (1) UCLA v (16) JACKSONVILLE STATE
  • (8) Oklahoma State v (9) Northwestern
  • (4) Duke v (13) WINTHROP
  • (5) Cincinnati v (12) Providence/VCU
  • (2) Kentucky v (15) UC-Irvine
  • (7) Miami-FL v (10) Dayton
  • (3) Purdue v (14) New Mexico State
  • (6) Butler v (11) USC/Indiana

Last four byes: Kansas State, Clemson, Xavier, Michigan State

Last four in: USC, Providence, VCU, Indiana

First four out: Vanderbilt, Syracuse, Texas Tech, Illinois

Next four out: Georgia, Iowa, TCU, Rhode Island

Four more: Illinois State, California, Pittsburgh, Utah