Tag: music

Every #1 Song of the 1980s – Series 6

Click for links to Series 5Series 4,  Series 3, Series 2, and Series 1 and a quick study of #2 songs

June does not have as many new additions as May. A number of those songs had pretty long runs at the top. Either way, I am happy to not have 28 new entries or whatever.

“Coming Up” by Paul McCartney (1980) – This was McCartney’s last number one song, this song actually had a pretty interesting history. It was released in the States as a single with a live version from Glasgow as the B-Side. Indeed, it was the live version of the song which got more radio airplay and traction. Indeed, putting the original single side by side with McCartney doing it live shows it. It’s a lot better as a live song – faster, more energetic – the vocal filtering in the record version just doesn’t work. (31 points)



“Stars on 45 Medley” by Stars on 45 (1981) – Okay, last time I talked about Sheena Easton’s “Morning Train” as the strangest number one of the decade – I retract. This medley of old hits – a dance mix I presume – is the strangest. I am not sure if this is supposed to be a precursor to stuff like DJ Shadow or not, but it seems too clunky for that. It feels like a Wedding DJ performance as much as anything. The nice thing is that they play a lot of cool old songs. But come on – listening to it now, it is hard that it was a major single, let alone a #1. (24 points)

“Time After Time” by Cyndi Lauper (1984) – There is a lot of real solid 80s markers here. The hairstyle, the story-video. This was the number one from Lauper’s She’s So Unusual album – and of course it’s a ballad. But – it’s a good one, an unusually well written one. Also – while Lauper had a distinctive look and seemed like a pop creation – she really can sing. (“I Drove All Night” from 1989 is my favorite example of this) This song decidedly holds up (37 points)

“The Reflex” by Duran Duran (1984) – Hoo boy. Duran Duran’s first #1 song – which made it I believe as a hyped “first single from a new album” thing which comes up quite a bit. There is nothing about this video or song that doesn’t seem dated and trapped in the 1980s. It reminds me of an amusing story Greg Proops told on his The Smartest Man in the World (which I recommend you avail yourself of) podcast about seeing them recently. Simon Le Bron, even at his advanced age is basically the same guy – including flashing his tongue to the audience – yuck! Of course bassist John Taylor seems to have stopped aging. What this is a long way of saying that while this is a fairly unremarkable Duran Duran song compared to others – it is quite the time capsule. (34 points)

“Everybody Wants to Rule the World” by Tears for Fears (1985) – Pretty clearly one of the best known songs of the decade. It has had a lot of staying power since – it was the theme to Dennis Miller Live for years. The Songs from the Big Chair album was a massive seller in 1985, and this is the more durable of the two number ones, although “Shout” is plenty good. (41 points)

“Heaven” by Bryan Adams (1985) – Oh, the heartstrings are tugged. This ballad (there is that word again) was the number one from Adams’ Reckless album. This is typical stuff – not terrible, but more terrible when you see how it opened up his career to much more atrocious stuff (see Robin Hood). (31 points)

“Live To Tell” by Madonna (1986) – Both featured on Madonna’s True Blue album and the film At Close Range, which starred her husband-at-the-time Sean Penn, listening to this now feels like constant droning. This is a long enough post – life is short. It did remind me that they were married though, and made a bad movie together.

“On My Own” by Patti LaBelle and Michael McDonald (1986) – Really, it is inconceivable that a song like this would even be a major release now – let alone a number one. LaBelle and McDonald were big names – but clearly more adult contemporary now, than the exceedingly young pop stars of now. They weren’t has-beens – but they both achieved fame in the 1970s. But here is a duet, recorded in different cities – with LaBelle’s distinctive voice and McDonald’s rather glorious beard. But there is not much distinctive otherwise. (25 points)

“You Keep Me Hanging On” by Kim Wilde (1987) – One of the very few British solo women to ever have a number one, Kim Wilde actually had a big international hit in 1981 with “Kids in America”, which is probably more famous now than this. Of course, this is a cover of The Supremes classic – one of the best Motown songs of them all. Of course, Wilde covers it in a frankly, very archetypally 1980s way. It is a corruption of a Motown classic – no doubt – but thankfully the song itself is good enough to pull this through. (29 points)

“Always” by Atlantic Starr (1987) – First of all, Atlantic Starr sounds like a tech startup – not an 80s R&B group. One thing that is interesting for the genre is the co-ed leads. Usually, now a slow jam would be a male singer covered in sweat singing something to try to get the ladies to feel his muscles. So in that vein, this is a much different sort of ballad. But – it’s another easy listening sort of ballad which was amazingly successful in the decade, and I am trying not to nod off here. This is a hard genre to score high for me – but this might actually be better than I am going to give it credit for, but sorry. (26 points)

“Head to Toe” by Lisa Lisa and Cult Jam (1987) – Ah, this is more like it. I was about to fall asleep after the run of ballads before this. Lisa Lisa and Cult Jam was a freestyle band who had a couple of number ones in 1987, this being the first. In aesthetic, pacing, and hook – this is clearly something which is a time capsule from the mid 80s. Seriously, I’m talking about right down to the solid mulletude sported all around, including the afro-style ones. This is the sort of song which is hard to resist – even as I can call it trifle. (34 points)

“I Wanna Dance with Somebody (Who Loves Me)” by Whitney Houston (1987) – As the first single from Whitney Houston’s follow-up to her star making debut, this song did not really even have to be good to get to the top of the charts. (indeed, later is a terrific example of this) As you can discern from this series – I cannot discuss Whitney rationally. The songs are trifle – and she largely did not write them. And I have given thumbs down to songs like this before – but the performer really matters. Seriously (to paraphrase Bill Simmons), when you watch shows like American Idol or The Voice or any other extrusion, basically television has a subgenre dedicated essentially to finding Whitney Houston again. (36 points)

“Together Forever” by Rick Astley (1988) – The non-RickRoll of Astley’s two trips to the top of the chart, I actually like this song better. I remember it being one of the preset sequences on a keyboard we owned when I was a kid, and indeed the hook is really really catchy. The heavy production and heaping spoonfulls of bells and keyboards is very typical of some of the really successful Britpop of the decade, whether it be this stuff or Swing Out Sister, and stuff like that. Everything about this – the video with the overexposed filter, so they look even pastier than in real life – takes me back. It is an immensely charming, very dated piece. (37 points)

“Foolish Beat” by Debbie Gibson (1988) – Bless her heart, Debbie Gibson did write her own songs, which put her above Tiffany in the “mall pop” battle which took place in 1987-88 when they both burst on the scene. “Could’ve Been” by Tiffany was one of the worst #1 songs of the decade. And of course, for Gibson – it took … wait for it … a soppy ballad to get her first #1. But this is decidedly better than Tiffany, and as a self-written expression of teenage mopiness, I give some credit. It’s not especially simpering considering – which is a relief. Extra credit for the prominent sax solo, which really is something you don’t get anymore. (30 points)

“Rock On” by Michael Damian (1989) – A cover of David Essex’s 1973 hit, one of the worst pop songs of the 1970s, Michael Damian – who if I recall correctly, was on a soap opera at the time – delivers a cover which, while awful, is probably about as good as you can do with this song. That said, Essex had the excuse of doing the song first, where it might have been considered experimental. Either way, this song being made to service Dream A Little Dream, the terrible two Coreys film, is all too appropriate. (20 points)

“Wind Beneath My Wings” by Bette Midler (1989) – This is one of those songs which I have to grudgingly acknowledge is well written, from a Bert Bachrach “hitmaker” sort of perspective. The song’s shelf life has been considerable – probably fairly. But, come on now. It is simpering, soppy, everything else – that it is a fairly good example of it is not enough for me to revisit this for my pleasure. (23 points)

“I’ll Be Loving You (Forever)” by New Kids on the Block (1989) – Oh dear. I guess we’d have to wrestle with this at some point. I have friends who attended their concert a couple of years ago (?) – still getting fired up, moaning for their favorite kid (probably somewhat hipster ironically, but still). The nostalgia is powerful – and certainly the stuff in 1989 came out right at the beginning of my time of being aware of this stuff. But I did not really like this much at the time. (I will have to confess to other songs though) But of course, this is the sort of boy band manufactured ballad to get – well, in Tom Jones, it would have involved having lingerie thrown at them. NKOTB was a legitimate phenomenon then of course, and this was their first #1 – and the first single to prominently feature Jordan Knight’s high voice. I’m not sure if that is a plus. (26 points)

“Satisfied” by Richard Marx (1989) – The first single from Richard Marx’s (at the time) long-awaited follow up to his very successful debut – this song did not have to be good to hit the top. There are a ton of parts from the “80s song parts” store – the guitar solo in particular. This song has not really aged well for me – although the guitar riff is catchier than I perceived when I listened to it again. But the sound – especially with the subtle organ in the back is pretty dated. At the same time, there is enough silly here, especially in the video – the mullet, the heavy bag at the beginning, Marx’s attempts to look hard – that to give some “good-bad-video” points. (32 points)

The score now, with half a year of #1s?  Of course, we have the rest of the summer to go – and I know (and you can probably identify) some songs which are pretty clearly going to hit pretty darn high here.

Song Artist
1 West End Girls Pet Shop Boys
2 Kiss Prince
3 With or Without You U2
4 Beat It Michael Jackson
5 Billie Jean Michael Jackson
6 Rock With You Michael Jackson
7 Father Figure George Michael
8 Jump Van Halen
9 Livin on a Prayer Bon Jovi
10 Down Under Men At Work
11 Faith George Michael
12 How Will I Know Whitney Houston
13 Like a Virgin Madonna
14 The Tide Is High Blondie
15 Centerfold J Geils Band
16 (I Just) Died in Your Arms Cutting Crew
17 Don’t You (Forget About Me) Simple Minds
18 We Are the World USA For Africa
19 Like A Prayer Madonna
20 Greatest Love of All Whitney Houston
21 Everybody Wants to Rule The World Tears For Fears
22 Rapture Blondie
23 Man in the Mirror Michael Jackson
24 Careless Whisper Wham featuring George Michael
25 Footloose Kenny Loggins
26 Walk Like an Egyptian Bangles
27 Karma Chameleon Culture Club
28 I Love Rock and Roll Joan Jett and the Blackhearts
29 Celebration Kool and the Gang
30 So Emotional Whitney Houston
31 Two Hearts Phil Collins
32 Need You Tonight INXS
33 Call Me Blondie
34 Let’s Dance David Bowie
35 Never Gonna Give You Up Rick Astley
36 Together Forever Rick Astley
37 Time After Time Cyndi Lauper
38 Every Rose Has Its Thorn Poison
39 My Prerogative Bobby Brown
40 Got My Mind Set on You George Harrison
41 Get Outta My Dreams, Get Into My Car Billy Ocean
42 Addicted to Love Robert Palmer
43 Owner of a Lonely Heart Yes
44 I Wanna Dance With Somebody (Who Loves Me) Whitney Houston
45 Forever Your Girl Paula Abdul
46 Maneater Darryl Hall and John Oates
47 Another Brick in the Wall, Part 2 Pink Floyd
48 Rock Me Amadeus Falco
49 Chariots of Fire Vangelis
50 Open Your Heart Madonna
51 One More Try George Michael
52 Wishing Well Terrence Trent D’Arby
53 The Way You Make Me Feel Michael Jackson
54 Say, Say, Say Paul McCartney and Michael Jackson
55 9 to 5 Dolly Parton
56 Straight Up Paula Abdul
57 The Look Roxette
58 Head to Toe Lisa Lisa and Cult Jam
59 The Reflex Duran Duran
60 I Knew You Were Waiting (For Me) Aretha Franklin and George Michael
61 Flashdance … What a Feeling Irene Cara
62 That’s What Friends Are For Dionne Warwick
63 Physical Olivia Newton John
64 I Can’t Go For That Hall and Oates
65 I’ll Be There For You Bon Jovi
66 Crazy Little Thing Called Love Queen
67 Everything She Wants Wham
68 Africa Toto
69 Satisfied Richard Marx
70 Coming Up Paul McCartney
71 Come on Eileen Dexy’s Midnight Runners
72 These Dreams Heart
73 Anything For You Gloria Estefan and Miami Sound Machine
74 Heaven Bryan Adams
75 Ebony and Ivory Paul McCartney and Stevie Wonder
76 The Living Years Mike and the Mechanics
77 At This Moment Billy Vera and the Beaters
78 Bette Davis Eyes Kim Carnes
79 Foolish Beat Debbie Gibson
80 She Drives Me Crazy Fine Young Cannibals
81 Eternal Flame The Bangles
82 Kyrie Mr. Mister
83 Shake You Down Gregory Abbott
84 You Keep Me Hangin On Kim Wilde
85 Kiss Is On My List Hall and Oates
86 Funkytown Lipps, Inc
87 Let’s Hear It for the Boy DeNiece Williams
88 Keep on Loving You REO Speedwagon
89 Hello Lionel Richie
90 I Love a Rainy Night Eddie Rabbitt
91 Live to Tell Madonna
92 I’ll Be Loving You (Forever) New Kids on the Block
93 Lost in Your Eyes Debbie Gibson
94 Say You, Say Me Lionel Richie
95 Always Atlantic Starr
96 Nothing’s Gonna Stop Us Now Starship
97 (Just Like) Starting Over John Lennon
98 On My Own Patti LaBelle and Michael McDonald
99 Crazy for You Madonna
100 Seasons Change Expose
101 Can’t Fight This Feeling REO Speedwagon
102 One More Night Phil Collins
103 I Want to Know What Love Is Foreigner
104 Stars on 45 Medley Stars on 45
105 Escape (The Pina Colada Song) Rupert Holmes
106 Wind Beneath My Wings Bette Midler
107 Sara Starship
108 Lean on Me Club Nouveau
109 Baby, Come to Me Patti Austin and James Ingram
110 Against All Odds (Take A Look At Me Now) Phil Collins
111 Where Do Broken Hearts Go Whitney Houston
112 Could’ve Been Tiffany
113 Do That To Me One More Time Captain and Tennille
114 Jacob’s Ladder Huey Lewis and the News
115 Morning Train (Nine to Five) Sheena Easton
116 When I’m With You Sheriff
117 Rock On Michael Damian
118 Please Don’t Go KC and the Sunshine Band

Every #1 Song of the 1980s – Series 5

Click for links to Series 4,  Series 3, Series 2, and Series 1 and a quick study of #2 songs

After a brief foray to look at the songs which just missed #1, back to our regularly scheduled programming.  As we add songs – looking through the month of May in the 1980s, the list starts to add songs which evoke summer – and some of the biggest songs of them all.

“Funkytown” by Lipps, Inc (1980) – This is definitely evidence that not everything that endures is that good. Given what was available in the disco, or back end of disco – it is hard to call this a particularly distinguished entry. That said, whether it is via Dumb and Dumber or whatever, this is certainly one of the most well known dance songs of all time. But I cannot generate much enthusiasm here. (29 points)

“Morning Train (9 to 5)” by Sheena Easton (1981) – This might be the strangest number one song of the entire decade. It is clearly one of the worst – indeed, this has nothing in common with the rest of Easton’s 80s career. Seriously – if you have any recollection of Sheena Easton, it was going to be for her hooking up with Prince in the “Sign O The Times” era. Or even earlier – songs that evoke aerobics, like you know …

But no – her biggest hit was actually THIS song – which seems to comparatively have been done with a lobotomy. (20 points)

“Bette Davis Eyes” by Kim Carnes (1981) – The biggest single of 1981, Carnes was one of those – like Dolly Parton and Eddie Rabbitt – who found success under the country crossover trend which took hold at the beginning of the decade. By the fates of many of the songs in this part of the decade, this song should not have aged as well as it has. It’s not a great song – but it has endured. (30 points)

“Chariots of Fire” by Vangelis (1982) – Ah, one of those songs that is so well known as to be cliche. It is hard to even type this without lapsing into that slow motion. This is probably the best movie song of the decade – not the best song in a movie – but in terms of evoking the movie (or running generally). Few songs have fit its subject better. (36 points)

“Ebony and Ivory” by Paul McCartney and Stevie Wonder (1982) – This was one of the biggest hits of 1982, so that can’t be denied. But of the big hits of the decade, it is among the most dated. OF course it was a huge hit – a collaboration of two of the most illustrious composers of their time. But honestly – I’d rush past this if I had to put together a tribute. It’s fame and whatnot carry this to a higher score than it frankly deserves. (31 points)

“Let’s Dance” by David Bowie (1983) – Bowie’s second number one, it was well known that Let’s Dance was put together with radio in mind. Bowie hired Nile Rodgers as a hitmaker to get him some commercial pop. Bowie was not a fan of this part of his era – which is not surprising given what an uncompromising artist he was. At the same time, he sells himself short. Sure this was pure pop – but it was an excellent example of the form. (38 points)

“Flashdance … What a Feeling” by Irene Cara (1983) – Cara had a big hit with another dance movie title in 1980 with “Fame”. Flashdance itself was a disposable movie, but definitely a piece of 1980s time capsule material. The song is indelible – although about 40% of the time I am not sure if that is a good thing. (34 points)

“Hello” by Lionel Richie (1984) – Oh my. There is a lot to unpack here. This is a typical lousy Lionel Richie croon-fest – even if it is his most well known one. Normally, this would be good for a real toilet bowl score – but the video is pretty great. This is one of those narrative ones, where “Hello” is a tale of romance where Richie is touched by a blind love. At the end she presents him something she sculpted which is “how I see you” which looks less like Richie than 1984 vintage John Oates. Hey if it’s going to suck, might as well get a laugh. (28 points)

“Let’s Hear it for the Boy” by DeNiece Williams (1984) – The other big hit and Oscar nominated song from Footloose, this was DeNiece Williams’ biggest hit. It’s silly – in so many ways, the video, the tempo – for years I kept thinking this was a Lisa Lisa song. This song is okay enough, but has not aged well. (29 points)

“Crazy for You” by Madonna (1985) – Madonna’s 2nd number one, this was yet another movie song (Vision Quest, which features a very early Linda Fiorentino, known for Men in Black for you but probably The Last Seduction for me) Madonna would have a lot of big hits which would define cultural zeitgeist blah blah blah. We can move on now, right? (24 points)

“Don’t You (Forget About Me)” by Simple Minds (1985) – One of the metrics I have tinkered with is “Capture the 1980s” and really will any song fit the bill better than this one? It was the central song from one of the most well known and “80s” of 1980s movies (The Breakfast Club). This song’s pop historical importance is beyond consensus at this point, even if Simple Minds themselves only had a brief flicker. (42 points)

“Everything She Wants” by Wham! (1985) – Sort of the forgotten child of Wham’s three biggest hits – but it probably shouldn’t be. It’s still a good song in its own right. At the same time, I still had to remember that this happened, so there you go. (32 points)

“Addicted to Love” by Robert Palmer (1986) – Like the Simple Minds song earlier, the story of the decade cannot be written without this song. The videos clearly shape the endurance of this song, but hey – there you go. As a rock song, this has survived – and largely on merit. Palmer had a terrific rock singer voice. But then, there are the models – who are clearly there as objects – the background images for almost any memory of Palmer. (37 points)

“West End Girls” by Pet Shop Boys (1986) – The second perfect score so far, this is The Pet Shop Boys biggest US hit. This is an objectively flawless synth-new wave song which hits all the markers. The lyrics have some social consciousness for them, the song has not dated in any meaningful way. When I put this on to find the video clip, I listened to it seven more times. Like the songs at the very top of this list, this is both a great example of the 1980s, and transcendent – it’s one of the best songs of this or any other decade. (50 points)

“Greatest Love of All” by Whitney Houston (1986) – The last and biggest single from her debut album, this is one of the songs most indelibly etched on my elementary school childhood. I remember doing it in music class in 3rd/4th grade. Not all of Whitney’s ballads were good – most were kind of simpering. But this is an order of magnitude above it, and still works on its cheesy, intended level. (41 points)

“(I Just) Died in Your Arms” by Cutting Crew (1987) – While the Pet Shop Boys and Whitney Houston were among the most enduring acts of the decade. In fact, a lot of the higher ranked songs on this list are things which endured because of enduring artists. And then, you have this – one of the best songs of the decade for my money – but dropped in from space by a band who would not do anything else I’d remember again. The song’s importance is hard to argue – but it’s quality as a pop song isn’t. (42 points)

“With or Without You” by U2 (1987) – I’ve seen U2 twice, both on lucky breaks. While they are not my favorite band or anything – at a certain point you don’t turn the chance to see an act of that magnitude down, especially when you only had to pay face value for the tickets. They were good both times, even if they were promoting largely meh albums. And of course – even while promoting, say “Vertigo”, they were not going to leave without stuff from this vintage. This song, the first of their two #1 songs, does not need much explanation. It’s one of their signature songs, one of the best pop songs ever made, and that it unleashed Bono on the world ever since is not the song’s fault. (50 points)

“Wishing Well” by Terrence Trent D’Arby (1988) – When I listen to the weekly Top 40 on Sirius XM, when they do 1988 and this song comes up, the DJ always notes the same story, about how Terrence Trent D’Arby declared his debut as the most important album since Sgt Pepper, the sort of deluded, lofty claim that is now reserved for rappers (specifically rappers whose name rhymes with Munyay Test). While clearly that did not work out – his lone #1 remains an earworm with a hook which is hard to get out of your head. (and that is a compliment, mostly) (35 points)

“Anything for You” by Gloria Estefan and Miami Sound Machine (1988) – As is typical, a band who produced some pretty good up-tempo, fun dance music – has its first #1 with a croony ballad. There is not much to say here – aside from hoping this turned into “The Rhythm is Gonna Get You” (31 points)

“One More Try” by George Michael (1988) – I think this ended up one of the best selling singles of the calendar year. Again, the lure of the ballad to the top of the charts. It was not the best ballad on the Faith album – “Kissing a Fool” is pretty clearly a better song both musically and vocally. It’s good by simpering ballad standards, but that is about it. (36 points)

“I’ll Be There For You” by Bon Jovi (1989) – The band’s fourth #1, and it’s least. It has not survived the way “Living on a Prayer” has, and has frankly, been drowned out by numerous other successful, better monster ballads. I will note that it seems the band’s hair looks especially well conditioned here – I am not sure if that is worth extra credit. (33 points)

“Forever Your Girl” by Paula Abdul (1989) – This is one of the songs which I like much better now than I did in 1989. I guess it was partly being inundated with her popularity – the way any popular artist on the radio starts to grate. This is probably not as well known now as “Straight Up”, but it is a catchier song with a cheekier video (kids help) – even if there is no Arsenio Hall cameo. (35 points)

So – through the Month of May – we are up to exactly 100 songs. The current scoreboard? See below, complete with a new #1.

Song Artist
1 West End Girls Pet Shop Boys
2 Kiss Prince
3 With or Without You U2
4 Beat It Michael Jackson
5 Billie Jean Michael Jackson
6 Rock With You Michael Jackson
7 Father Figure George Michael
8 Jump Van Halen
9 Livin on a Prayer Bon Jovi
10 Down Under Men At Work
11 Faith George Michael
12 How Will I Know Whitney Houston
13 Like a Virgin Madonna
14 The Tide Is High Blondie
15 Centerfold J Geils Band
16 (I Just) Died in Your Arms Cutting Crew
17 Don’t You (Forget About Me) Simple Minds
18 We Are the World USA For Africa
19 Like A Prayer Madonna
20 Greatest Love of All Whitney Houston
21 Rapture Blondie
22 Man in the Mirror Michael Jackson
23 Careless Whisper Wham featuring George Michael
24 Footloose Kenny Loggins
25 Walk Like an Egyptian Bangles
26 Karma Chameleon Culture Club
27 I Love Rock and Roll Joan Jett and the Blackhearts
28 Celebration Kool and the Gang
29 So Emotional Whitney Houston
30 Two Hearts Phil Collins
31 Need You Tonight INXS
32 Call Me Blondie
33 Let’s Dance David Bowie
34 Never Gonna Give You Up Rick Astley
35 Every Rose Has Its Thorn Poison
36 My Prerogative Bobby Brown
37 Got My Mind Set on You George Harrison
38 Get Outta My Dreams, Get Into My Car Billy Ocean
39 Addicted to Love Robert Palmer
40 Owner of a Lonely Heart Yes
41 Forever Your Girl Paula Abdul
42 Maneater Darryl Hall and John Oates
43 Another Brick in the Wall, Part 2 Pink Floyd
44 Rock Me Amadeus Falco
45 Chariots of Fire Vangelis
46 Open Your Heart Madonna
47 One More Try George Michael
48 Wishing Well Terrence Trent D’Arby
49 The Way You Make Me Feel Michael Jackson
50 Say, Say, Say Paul McCartney and Michael Jackson
51 9 to 5 Dolly Parton
52 Straight Up Paula Abdul
53 The Look Roxette
54 I Knew You Were Waiting (For Me) Aretha Franklin and George Michael
55 Flashdance … What a Feeling Irene Cara
56 That’s What Friends Are For Dionne Warwick
57 Physical Olivia Newton John
58 I Can’t Go For That Hall and Oates
59 I’ll Be There For You Bon Jovi
60 Crazy Little Thing Called Love Queen
61 Everything She Wants Wham
62 Africa Toto
63 Come on Eileen Dexy’s Midnight Runners
64 These Dreams Heart
65 Anything For You Gloria Estefan and Miami Sound Machine
66 Ebony and Ivory Paul McCartney and Stevie Wonder
67 The Living Years Mike and the Mechanics
68 At This Moment Billy Vera and the Beaters
69 Bette Davis Eyes Kim Carnes
70 She Drives Me Crazy Fine Young Cannibals
71 Eternal Flame The Bangles
72 Kyrie Mr. Mister
73 Shake You Down Gregory Abbott
74 Kiss Is On My List Hall and Oates
75 Funkytown Lipps, Inc
76 Let’s Hear It for the Boy DeNiece Williams
77 Keep on Loving You REO Speedwagon
78 Hello Lionel Richie
79 I Love a Rainy Night Eddie Rabbitt
80 Lost in Your Eyes Debbie Gibson
81 Say You, Say Me Lionel Richie
82 Nothing’s Gonna Stop Us Now Starship
83 (Just Like) Starting Over John Lennon
84 Crazy for You Madonna
85 Seasons Change Expose
86 Can’t Fight This Feeling REO Speedwagon
87 One More Night Phil Collins
88 I Want to Know What Love Is Foreigner
89 Escape (The Pina Colada Song) Rupert Holmes
90 Sara Starship
91 Lean on Me Club Nouveau
92 Baby, Come to Me Patti Austin and James Ingram
93 Against All Odds (Take A Look At Me Now) Phil Collins
94 Where Do Broken Hearts Go Whitney Houston
95 Could’ve Been Tiffany
96 Do That To Me One More Time Captain and Tennille
97 Jacob’s Ladder Huey Lewis and the News
98 Morning Train (Nine to Five) Sheena Easton
99 When I’m With You Sheriff
100 Please Don’t Go KC and the Sunshine Band

Interlude – #2 Songs of the 1980s

(for links to the #1s so far click for Series 1, Series 2, Series 3 and Series 4)

After a survey of the first four months of number one songs in the 1980s, it is pretty clear that there are no real baseline qualities for what gets to the Top of the Pops. There are good, and clearly, there are very bad. So clearly being #1 is not sufficient criteria for pop immortality. Indeed, there is a rich history of #2 songs in the decade – here are my favorite from each year.

1980 – “Working My Way Back to You/Forgive Me Girl” by The Spinners. 1980 was not a difficult call among #2s. The silver medal is really more gloriously cheesy than actually good (“Ride Like the Wind” by Christopher Cross). The Spinners are not a vocal group who rolls off the tongue the same way you get from say The Temptations or The Four Tops, but you look at the record and they had a ton of songs everybody knows. “Could it be I’m Falling in Love”, “Rubberband Man”, “Then Came You”. This cover is one of their best. Extra points for the suits.

1981 – “Just the Two of Us” by Grover Washington Jr/Bill Withers. 1981 was a tough competition for #2s. Indeed, both George Harrison (“All Those Years Ago”) and John Lennon had #2s (Lennon’s “Woman” being his finest song). But despite how much of a Beatles fan I am – Washington’s music and Wither’s vocals are just too much.

1982 – “We Got the Beat” by The Go-Gos. This was held out of the #1 spot by “I Love Rock and Roll” – and of course it is the Go-Go’s signature song. This is one of the songs that has not really dated – it still kicks ass.

1983 – “Electric Avenue” by Eddy Grant. This was tricky – as Culture Club had a pair of number 2 hits in 1983 – including “Do You Really Want to Hurt Me” and “Time (Clock of the Heart)” (“Time won’t give me time” – has any philosopher expressed the problem with life better?) But this reggae-pop tune is one of the real earworms of the decade. It’s appeal is a bit more time capsule – but it still works, “oy!!!”

1984 – “Girls Just Wanna Have Fun” by Cyndi Lauper. This was a very very tough field with “Purple Rain” and “Somebody’s Watching Me” by Rockwell (which still features the most amazing guest vocal credit in history given the artists actual obscurity). But while seeing multiple people belt out “Purple Rain” in karaoke – Lauper’s signature song is more fun and memorable (or maybe I am nostalgic for Capitan Lou Albano) – and she really can sing.

1985 – “Easy Lover” by Philip Bailey and Phil Collins. This is one of my favorite disposable pop songs ever. Bailey, the high voice in Earth, Wind and Fire, only really had this as his big pop solo success. This song has everything good pop music has – a great hook, something to falsetto to, and an energetic beat. Considering “Raspberry Beret” and “You Belong to the City” by Glenn Frey were among 1985’s candidates (and if we are honest “Raspberry Beret” is a better song), coming out on top took something.

1986 – “Manic Monday” by the Bangles. When I am feeling snarky, I cite this as Prince’s best song. Certainly this is an objectively perfect song – both musically and lyrically. No case of the Mondays has ever been expressed better.

1987 – “I Want Your Sex” by George Michael. Just like how “Billie Jean” was actually not the first single on Thriller, actually THIS was the first single released from George Michael’s explosion onto the solo scene. If I remember correctly, this song was featured in the second Beverly Hills Cop movie. Either way, I remember this being amazingly controversial when it came out – even if it seems rather tame now. It’s doubly funny given his own sexual orientation. As I have noted before – among closeted singers, Michael was remarkably convincing in 1987.

1988 – “What Have I Done to Deserve This?” by Pet Shop Boys. I noted above that The Spinners were one of those bands where you kind of don’t realize just how many hits they produced. They weren’t exactly obscure – just not something which leaps to mind. In perusing 1980s music for this missive – or just First Wave on Sirius, you forget how successful (and good) the Pet Shop Boys were. One of the more successful duos in history (and I think the most among Brits) – this is one of their biggest hits. Dusty Springfield’s hairdo is a bit unfortunate and dated though.

1989 – “Love Song” by The Cure. Speaking of First Wave, we come to the kings of mopey ballads, the Cure. One of the inexplicable things about Top 40 radio is how a classic mopey love song like “Just Like Heaven” barely nicked the Top 40 – but this gets to #2. I’m not complaining, this is a terrific song in its own right. I’m just noting that you would never pick this over “Just Like Heaven”

BONUS: Back to 1988. Interestingly Def Leppard would hit number one – but not with their signature song. Growing up, this would always be very high when MTV did their Top 100 videos of all time. This was a #2 as well. And as long as there are people dancing for money – did they know this was the song’s eternal destiny? Did Jack White know that his ultimate legacy will be a hook pep bands play? I don’t know.

BONUS 2: Back to 1989. Can people really deal honestly with the idea that Milli Vanilli, by dance-pop standards, was actually good? The scandal of their lip syncing is well known – but you can’t unhear the songs. Given how manufactured so many pop singers are in 2017 – you still have to give a hat tip to the songs produced. Milli Vanilli might be a punch line – but “Girl You Know It’s True” would still work.

Every #1 Song of the 1980s – Series 4

Click for links to Series 3, Series 2, and Series 1 

As we head into Easter, it seemed more than due time to get us through April in this survey of the 1980s.  You can go to the bottom of this entry for the full tally.  Looking at this list, there is a lot of iconic 80s stuff – not all of it is good, but there are a good number which clearly would fit within the framework of “things which I’d show space aliens who wanted to know the milieu.”

“Another Brick In the Wall, Part 2” by Pink Floyd (1980) – Pink Floyd’s only #1 and last chart hit. If you think about it – it seems weird that Pink Floyd had any sort of success on charts like these. But of course this was from The Wall, pretty clearly the most f’ed up musical in movie (or theater) history. Of course, it means the imagery was remarkable – it’s Floyd, expect no less. Like a lot of the early early 80s, it stands outside of the decade. It’s not my favorite song on the soundtrack of course, so a little gets dinged there. (36 points)

“Call Me” by Blondie (1980) – The year-end #1 song of 1980, Blondie is one of the acts which has not dated meaningfully. Unlike other music of the early early 80s, you can see Blondie’s resonance further on in the decade, even as other artists were more synth based. The New Wave was a defining idea for the decade and Blondie clearly is among the leaders. This is not my favorite Blondie song – but that says more about the catalog. (38 points)

“Keep On Loving You” by REO Speedwagon (1981) – One of the earlier examples of the power ballad format, this was the first of two Speedwagon #1s. For some reason, I always get REO and Supertramp confused when I hear them on the radio. Either way, like Supertramp, REO are on the list with Bachman Turner Overdrive of bands I’d banish from Classic Rock on the grounds they are not classic to anybody. That being said, I am reminded of an old Letterman Top 10 list, “Ways to make Arafat [the former PLO leader] Angry” and one was “Ask him why he doesn’t call it PLO Speedwagon anymore.” (28 points)

“Rapture” by Blondie (1981) – Is this the first occurrence of “rap” on a pop track? I don’t know. There is a shout-out to Fab 5 Freddy though. Like most other Blondie, this is a pretty great song. It is hard to add much more. (40 points)

“Kiss Is On My List” by Hall and Oates (1981) – One of the more forgettable of the Hall and Oates entries on this list. There is nothing “wrong” here – it is a good hook, but overall the song is not as catchy as their other number ones and no visual accompaniment as memorable/ridiculous. (29 points)

“I Love Rock and Roll” by Joan Jett and the Blackhearts (1982) – Coincidentally, I was listening to an old top 40 from 1982 during this song’s 7-week run at the top. It held off the Go-Go’s signature “We Got the Beat”, which will undoubtedly be part of a compilation of great #2s of the decade (if I ever get around to it). Sometimes noting a song like this was among the most successful hit singles of the 80s make me think teenagers then had better taste. This Arrows cover being a #1 now would be unthinkable. This is just an iconic, garage-band sort of rock song – it takes a heart of stone to resist. (38 points)

“Come on Eileen” by Dexy’s Midnight Runners (1983) – What is more “of a decade” than a band which you would never hear of again? Dexy’s Midnight Runners certainly qualifies – and this song has persisted, just by simply being so unusual. All these years later, I am not sure if it is good – but I can’t get rid of it either. (31 points)

“Beat It” by Michael Jackson (1983) – The follow up to “Billie Jean” in 1983. Has anybody since the Beatles loaded up like this? Possibly Jackson, in 1970 (“ABC”, “I Want You Back”) and 1979 (“Don’t Stop Til You Get Enough”, “Rock With You”). While other artists were better and you sensed songs being ripped from their hearts, Jackson was a master at entertainment craft, and this song exemplifies that as well as any. The driving beat, the Eddie Van Halen guitar solo in the middle, connected with the dancing and visuals. “Billie Jean” deserves its place, but this is the song I prefer of the two. (49 points)

“Footloose” by Kenny Loggins (1984) – The biggest hit of the 80’s soundtrack king’s various 80’s movie hits. My four year old knows and likes this song – which given this seems appropriate. When I was younger, I thought “Danger Zone” was better – but time, parenthood and frankly good sense has righted the ship. It is a silly movie with a silly title song and it takes a total grinch to fight it. (39 points)

“Against All Odds (Take A Look At Me Now)” by Phil Collins (1984) – I like Phil Collins, as noted before. And certainly his voice is one of the indelible parts of 1980s pop music. And when an earnest movie wanted an earnest theme, there he was. It is the sort of ballad which gets #1s and Oscar nominations. It is also hard to stomach, even then. (22 points)

“Can’t Fight This Feeling” by REO Speedwagon (1985) – Wait, REO, again? Weren’t we just here? Aside from the hair, there is nothing to see here. (24 points)

“One More Night” by Phil Collins (1985) – One of the big hits from Collins’ No Jacket Required, which had a lot of hits. Alas, all of them are better – I am not sure if I will be uniformly derisive of all of Collins’ ballads, but this is not a good start. (24 points)

“We Are The World” by USA For Africa (1985) – Really, there is nothing more “80s” than this. A song for a cause with all of the big artists of the day, written by Lionel Richie and Michael Jackson. You have a separate shot of Michael Jackson dropped in where he sings his part in one of his shiny Capitain Crunch uniforms. Playing “name that celebrity” never gets old when watching this. I like the separate solo takes by Dylan (which seems from another song – as is often the case with Dylan) and Bruce Springsteen, who sounds like he is on the toilet. (42 points)

“Sara” by Starship (1986) – When I heard “White Rabbit” for the first time as a teenager, I wondered if Jefferson Airplane offered the most drugged out band I had ever heard. Now I realize that Grace Slick must have really been messed up when she agreed to return to Starship for it’s (very successful) 1980’s incarnation. They hit #1 three times, and this is the least offensive of the songs. (23 points)

“These Dreams” by Heart (1986) – An interesting side post (if I ever get to it) should cover the final #1 pop hits for many bands who are pretty darn great or respectable. This was Heart’s breakthrough – and of course it is not a very good song compared to some of their 70s best. It’s not even their best #1 – but that is neither here nor there. Despite Heart’s core as a kick ass rock band, this is pretty darn cheesy. (31 points)

“Rock Me Amadeus” by Falco (1986) – Another artist who has since disappeared, Falco broke through in the States via other artists’ cover of his stuff, most notably “Der Komissar”. This is a song which is very much a time capsule of 1986 – I even remember the chorus from hearing it in grade school. Listening to it now, it does actually grow in stature though. It sits in the same sort of “time capsule” zone as things like dance crazes, The Macarena, Ray Stevens in the 70s. But it really is a superior version of 80s synth-pop. (36 points)

“Kiss” by Prince (1986) – And here we are, the first 50. Prince had four number ones in the 1980s, and surely the stuff from Purple Rain deserves its plaudits. “When Doves Cry” is a great song, with its amazing guitar and lack of a bass. “Kiss” on the other hand, is remarkably stripped down – almost perfect piece of minimalist funk. The lyrics are playful and sexy, and the riff is one of the most addictive in pop history. It’s one of the great songs of the Rock and Roll Era. (50 points)

“Jacob’s Ladder” by Huey Lewis and the News (1987) – Huey Lewis’ third and final number one, I barely remembered this song. Looking at it now, I still don’t remember it. It lacks the garage band or doo-wop sorts of elements which typified the band’s best work. Why did I type so much about this? (21 points)

“Lean on Me” by Club Nouveau (1987) – Along with P Diddy’s, “Public Enemy Number One”, this belongs on the rare air of worst covers ever made. That is gets any score at all comes from the strength of the Withers original, and how I pine for it after hearing this. (23 points)

“Nothing’s Gonna Stop Us Now” by Starship (1987) – “Sara” is a better song. But this is a more memorable, and stupider video. Much like Chicago in the 1980s, the distance traveled from the band’s beginning to this point is astonishing, and hard to stomach. (26 points)

“I Knew You Were Waiting (For Me)” by Aretha Franklin and George Michael (1987) – Another song I don’t really have a lot to add to. Both singers sound terrific here, and this is just a solid effort overall. It deserves its success. (34 points)

“Never Gonna Give You Up” by Rick Astley (1988) – Would this song have a high score without the Rickroll phenomenon? Probably not. But Rick Astley himself notes that it clearly has helped his work survive, and it is a good thing too. Is this clearly cheesy 80s Britpop? Heck yeah, but it is a very good example of it – it’s cheese does not detract from it’s ability to make me happy when I hear it. (38 points)

“Man in the Mirror” by Michael Jackson (1988) – For a while, I thought this was the best single released from the Bad album. Heck, I can’t imagine being able to tell my children how real life, like real news, stopped for an album release – but that’s where Michael Jackson was when this album rolled off the shelves. This is still my favorite of the five #1s, although “Smooth Criminal” is clearly the best of the charting singles. (40 points)

“Get Outta My Dreams, Get Into My Car” by Billy Ocean (1988) – Everything about this makes me giggle: the ridiculous video, the starting command “Hey, you – get into my car” which reads as rather threatening now, and the song itself which is just a good piece of cheesy 80s popular RnB. (37 points)

“Where Do Broken Hearts Go” by Whitney Houston (1988) – A simpering Whitney Houston ballad – the silly video is not enough to redeem it even as kitsch. But it is clearly of a style which is chart catnip. (22 points)

“The Living Years” by Mike and the Mechanics (1989) – With this, Mike Rutherford became the third Genesis member to get to #1, one of only two bands to have produced such prolific solo work. (no points for figuring out the other band) This song about the difficulty of communication actually is kind of resonant – especially now as an old fogey. It’s a bit more somber than other stuff that hit in the decade – but unlike a lot of those entries, it’s actually fairly good. (30 points)

“Eternal Flame” by The Bangles (1989) – Oh, the rock ballad. The Bangles were not immune, though clearly doing this was not a consensus opinion. They broke up four months later. This is an okay song I guess – but the crass commercialness of it – hey, a ballad – and leaning into girly stuff which sells in our patriarchal cultural paradigm etc etc – ick! (30 points)

“The Look” by Roxette (1989) – Somewhere between the one-hit wonder, and the enduring superstars is something like Roxette. The Swedish duo’s shelf life was short (2 years?), but remarkably successful. This was their first US hit and (self evidently) their first #1. “Listen to Your Heart” has endured more just by the covers it has inspired, but this is a pretty good 80s song. I still like the hook a lot. (34 points)

“She Drives Me Crazy” by Fine Young Cannibals (1989) – I think their The Raw and The Cooked (a terrific title) was the top selling album of 1989. This is a very hard song to forget because of Roland Gift’s falsetto throughout. It’s also a very hard song to get out of my head when it enters – although most of the time this reality is annoying. (30 points)

“Like A Prayer” by Madonna (1989) – We end the survey of the 80s through April with one of the biggest deals I can remember as a kid with pop music. Pepsi was sponsoring the launch of the video – and it was supposed to get this huge rollout, until the video itself appeared. Then, of course, with its religious imagery and such – Madonna was tempting derision from those who find derision professionally, as she often does. That said, the plundering of gospel here does make for a pretty good song – and a video which can poke various bears gets extra points anyway. (42 points)

Whew, the scoreboard through April.

Song Artist
1 Kiss Prince
2 Beat It Michael Jackson
3 Billie Jean Michael Jackson
4 Rock With You Michael Jackson
5 Father Figure George Michael
6 Jump Van Halen
7 Livin on a Prayer Bon Jovi
8 Down Under Men At Work
9 Faith George Michael
10 How Will I Know Whitney Houston
11 Like a Virgin Madonna
12 The Tide Is High Blondie
13 Centerfold J Geils Band
14 We Are the World USA For Africa
15 Like A Prayer Madonna
16 Rapture Blondie
17 Man in the Mirror Michael Jackson
18 Careless Whisper Wham featuring George Michael
19 Footloose Kenny Loggins
20 Walk Like an Egyptian Bangles
21 Karma Chameleon Culture Club
22 I Love Rock and Roll Joan Jett and the Blackhearts
23 Celebration Kool and the Gang
24 So Emotional Whitney Houston
25 Two Hearts Phil Collins
26 Need You Tonight INXS
27 Call Me Blondie
28 Never Gonna Give You Up Rick Astley
29 Every Rose Has Its Thorn Poison
30 My Prerogative Bobby Brown
31 Got My Mind Set on You George Harrison
32 Get Outta My Dreams, Get Into My Car Billy Ocean
33 Owner of a Lonely Heart Yes
34 Maneater Darryl Hall and John Oates
35 Another Brick in the Wall, Part 2 Pink Floyd
36 Rock Me Amadeus Falco
37 Open Your Heart Madonna
38 The Way You Make Me Feel Michael Jackson
39 Say, Say, Say Paul McCartney and Michael Jackson
40 9 to 5 Dolly Parton
41 Straight Up Paula Abdul
42 The Look Roxette
43 I Knew You Were Waiting (For Me) Aretha Franklin and George Michael
44 That’s What Friends Are For Dionne Warwick
45 Physical Olivia Newton John
46 I Can’t Go For That Hall and Oates
47 Crazy Little Thing Called Love Queen
48 Africa Toto
49 Come on Eileen Dexy’s Midnight Runners
50 These Dreams Heart
51 The Living Years Mike and the Mechanics
52 At This Moment Billy Vera and the Beaters
53 She Drives Me Crazy Fine Young Cannibals
54 Eternal Flame The Bangles
55 Kyrie Mr. Mister
56 Shake You Down Gregory Abbott
57 Kiss Is On My List Hall and Oates
58 Keep on Loving You REO Speedwagon
59 I Love a Rainy Night Eddie Rabbitt
60 Lost in Your Eyes Debbie Gibson
61 Say You, Say Me Lionel Richie
62 Nothing’s Gonna Stop Us Now Starship
63 (Just Like) Starting Over John Lennon
64 Seasons Change Expose
65 Can’t Fight This Feeling REO Speedwagon
66 One More Night Phil Collins
67 I Want to Know What Love Is Foreigner
68 Escape (The Pina Colada Song) Rupert Holmes
69 Sara Starship
70 Lean on Me Club Nouveau
71 Baby, Come to Me Patti Austin and James Ingram
72 Against All Odds (Take A Look At Me Now) Phil Collins
73 Where Do Broken Hearts Go Whitney Houston
74 Could’ve Been Tiffany
75 Do That To Me One More Time Captain and Tennille
76 Jacob’s Ladder Huey Lewis and the News
77 When I’m With You Sheriff
78 Please Don’t Go KC and the Sunshine Band

Every #1 Song of the 1980s – Series 3

This series peeks into March after finishing with February.  Some of the years to this point had some solid champions, while others had a lot of one and two week stays.  Of course, the measurements used back then were much less precise (surveys of radio stations, record stores) compared to what we have now.  But I like this better – certainly better than the 8-10 number ones per year.  The ground rules and such are here.  So what are we adding to the list? (Series 2 is here)

“Billie Jean” by Michael Jackson (1983) – Do this require a write-up? Really? I am not sure if anything will get a perfect score because I’m a grinch. But in terms of cultural imprint, a time capsule into the 1980s and a pop song which holds up more or less completely? Come on now. (49 points)

“Father Figure” by George Michael (1988) – This is a pretty perfect pop song. The album Faith had a LOT of really good songs, it is arguably the best album of the decade. (I have not put much thought into that – but it is in the picture) So it is something to say that this is the best one – and actually sort of does evoke the Taxi Driver-y video. But the way videos were so prevalent back then, I wonder how much of the is symbiotic – can I remember it another way? I don’t know. (47 points)

“Jump” by Van Halen (1984) – When I waved the criteria wand over this, this came up very high. And it should – Van Halen was one of the decade’s most significant bands, and this was both their biggest hit, and a perfect amalgam of rock and synthpop which would embody the time. It is not my favorite Van Halen song – and probably not in the Top 5 if I think hard enough. (1979’s “Dance the Night Away” is an all-time earworm) But the significance carries it a long way – and it is damn good. (45 points)

“Livin on a Prayer” by Bon Jovi (1986) – It’s my generations (well at least among white people I suppose) “Don’t Stop Believing” or whatever. Some rock song which plays in the bar and everybody knows the words. Like “Jump”, it hits a lot of the significance metrics – although it is not their best song, or the best of their four number 1s. But history has ruled on this, and I can’t blame it. (45 points)

“How Will I Know” by Whitney Houston (1986) – I noted this in Series 2, but given how difficult the end of her deal was, it is striking how easy it looked, especially early. As Bill Simmons noted when writing about her death – she should have been my age’s Streisand – but instead it was gone in 8 years. The spark is so evident here. (43 points)

“Careless Whisper” by Wham f/ George Michael (1985) – The number one song of 1985, it was released in the UK as a George Michael solo song. For the States, it was Wham! brand extension – which did not seem necessary in retrospect. Now this song feels pretty cheesy, but loveable. (40 points)

“9 to 5” by Dolly Parton (1981) – The early 80s had a lot of country crossover and remnants of the 70s. Of course, the former meant Dolly Parton. I remember this being a pretty big deal vaguely – I was 3. Listening to it now – the crossover appeal still holds, even it is dated. (35 points)

“Crazy Little Thing Called Love” by Queen (1980) – If there are knowing snickers now about a video like “Father Figure” given the truth about George Michael, the video for Queen’s first #1 in the US is a howler. Like “Let’s Dance” by David Bowie – it is tempting to condescend because it is not in the league of their 70s stuff like “Somebody to Love” or “You’re My Best Friend” or whatever – but it is a bit unfair. After all, if it’s pop cheese – it still helps to be good. It’s dated and a bit silly, but my affection is real. (32 points)

“Kyrie” by Mr. Mister (1986) – This sounds exactly like a random song from the 1980s I’d barely remember. Indeed I did. I barely remember the band – but there they were with multiple #1s. (I know “Broken Wings” more) It is hard for me to generate much feeling. (30 points)

“I Love a Rainy Night” by Eddie Rabbitt (1981) – Early 80s country crossover. Like a lot of the stuff here, it suffers by not really culturally fitting with a lot of the other #1s. It feels like a relic. But to be fair, it is a perfectly fine example of what it is. (26 pts)

“Lost in Your Eyes” by Debbie Gibson (1989) – There is very little defensible about this song, aside from the idea that Gibson wrote it herself, and it has some 80s kitsch going for it. I am sure there were people who got married to this. Yuck! (26 points)

“Seasons Change” bu Expose (1988) – Another silly ballad, but unlike Debbie Gibson, I had to remember Expose was a thing. Honestly, this song is fairly inoffensive. (24 points)

“Baby, Come to Me” by Patti Austin and James Ingram (1983) – Sometimes songs like this are the sort of thing that only happened in the 1980s. Yeah yeah there is the synth pop, but songs like this – smooth R and B, something Vandrossy – also is very much a time capsule. Of course when I was a it seemed like stuff only grown ups listen to. It still does. (22 points)

“Do That to Me One More Time” by Captain and Tennilee (1980) – This is a relic of the 1970s and sounds like it. Of course I had to pilfer a Midnight Special clip for a recording. It’s not their best song – and on its own, it’s not terrible (so far only 2 of the 48 songs are outright bad) – but it is decidedly unmemorable.

The tally through early March?

Song Artist
1 Billie Jean Michael Jackson
2 Rock With You Michael Jackson
3 Father Figure George Michael
4 Jump Van Halen
5 Livin on a Prayer Bon Jovi
6 Down Under Men At Work
7 Faith George Michael
8 How Will I Know Whitney Houston
9 Like a Virgin Madonna
10 Centerfold J Geils Band
11 The Tide Is High Blondie
12 Careless Whisper Wham featuring George Michael
13 Walk Like an Egyptian Bangles
14 Karma Chameleon Culture Club
15 Celebration Kool and the Gang
16 So Emotional Whitney Houston
17 Two Hearts Phil Collins
18 Need You Tonight INXS
19 Every Rose Has Its Thorn Poison
20 My Prerogative Bobby Brown
21 Got My Mind Set on You George Harrison
22 Owner of a Lonely Heart Yes
23 Maneater Darryl Hall and John Oates
24 Open Your Heart Madonna
25 The Way You Make Me Feel Michael Jackson
26 Say, Say, Say Paul McCartney and Michael Jackson
27 9 to 5 Dolly Parton
28 Straight Up Paula Abdul
29 That’s What Friends Are For Dionne Warwick
30 Physical Olivia Newton John
31 I Can’t Go For That Hall and Oates
32 Crazy Little Thing Called Love Queen
33 Africa Toto
34 At This Moment Billy Vera and the Beaters
35 Kyrie Mr. Mister
36 Shake You Down Gregory Abbott
37 I Love a Rainy Night Eddie Rabbitt
38 Lost in Your Eyes Debbie Gibson
39 Say You, Say Me Lionel Richie
40 (Just Like) Starting Over John Lennon
41 Seasons Change Expose
42 I Want to Know What Love Is Foreigner
43 Escape (The Pina Colada Song) Rupert Holmes
44 Baby, Come to Me Patti Austin and James Ingram
45 Could’ve Been Tiffany
46 Do That To Me One More Time Captain and Tennille
47 When I’m With You Sheriff
48 Please Don’t Go KC and the Sunshine Band

Every #1 Song of the 1980s – Series 2

Well, after a rather long pause – the second round.  This takes us through to Valentine’s Day on each of the years in question.  The ground rules and such are here.  The new additions here?

“Rock With You” by Michael Jackson (1980) – The clear number one of songs that were number one on a particular day I care about, this was the second #1 from Off the Wall, one of the greatest brand extensions in pop culture history.  He died as a rather creepy serial weirdo, but it is impossible to explain to the kiddos how big a deal Michael Jackson was.  His canon still holds. (48 points)

“Down Under” by Men At Work (1983) – Honestly, there are very few songs which evoke the decade like this one. The video is unforgettable, and honestly – it still shapes my mind of what Australia actually looks like. Needless to say, I do not read a lot. (44 points)

“The Tide is High” by Blondie (1981) – Seriously, Blondie almost seems too good to lump into a survey of pop songs. Deborah Harry’s studied super-cool indifference is extremely magnetic, charismatic from anti-charisma as it were. This is probably my favorite of their big hits. (42 points)

“Centerfold” by The J Geils Band (1982) – The best popular song Boston has ever produced by among the best bands it has produced. It was the number one in the Top 40 flashback Sirius did this past week. There is nothing that is not compulsively listenable or singable about this. Off topic, power rankings from Boston (42 points)

1. Centerfold
2. Love to Love You by Donna Summer
27. You’ve Got a Friend by James Taylor
772. Summer Girls by LFO

“Celebration” by Kool and the Gang (1981) – If you have ever been to a wedding in the States, this might have happened. The song has aged well in its intended form. Sometimes it doesn’t need to be profound. If Earth, Wind and Fire were not a thing, Kool and the Gang would be way up there if all you wanted to do was be happy. (38 points)

“Karma Chameleon” by Culture Club (1984) – Boy George was the first androgenous pop star I remembered. While this is not the band’s best song – it’s awfully close. Hell, “Time won’t give me time” from that song probably explains the conundrum of life better than anything any philosopher has written. The video datelines “Mississippi, 1870” which contradicts how I pictured Reconstruction. It is hard to listen to this without smiling. (38 points)

“So Emotional” by Whitney Houston (1988) – She’ll come up a lot in this series. I have written about her before when she died. This was probably her fastest song – and certainly one which does not underline her chops. But it’s less croony qualities work really well. Honestly, when you see how hard dealing with stuff was for her, it is striking just how natural and easy this stuff looked. (38 points)

“Need You Tonight” by INXS (1988) – Actually, I remember the “Mediate” second half of the video more. INXS was one of the better more consistent acts of the decade – with a distinctive sound. This was their biggest hit, with a VMA winning video (back when that was something which you’d remember). (38 points)

“Two Hearts” by Phil Collins (1989) – I like Phil Collins. This is not something I will defend. It clearly will color the rankings here. He is often derivative of his influences, but fortunately those influences are things I like too. This is a pretty clear attempt to reach back to 1960s Britpop – and it actually works on that dimension. (38 points)

“Got My Mind Set on You” by George Harrison (1988) – This is a pretty silly, kind of indefensible song. But it’s George Harrison – and there is so much cheeky charm, that you kind of go with it. It has the same spirit of the Beatles. The Beatles, especially early, evoked smiles – this made me smile. (37 points)

“My Prerogative” by Bobby Brown (1989) – 1989 is really the year I got into pop music generally. This was near the top of the pops at the time – I think the Don’t Be Cruel record was one of the first tapes I owned. This was actually kind of risque 27 years ago. Of course, it looks quaint now. (37 points)

“Owner of a Lonely Heart” by Yes (1984) – Obejctively, one of the best pure songs on the list. I don’t have the same affection as for others – and it’s my list dammit. But this is a legitimately outstanding prog rock piece. (36 points)

“Open Your Heart” by Madonna (1987) – Honestly, this qualifies as lesser Madonna for me. This is still ridiculously evocative and the song itself is not bad. But really, looking at other stuff which she did in the 1980s, there were better songs. Of course, there is the peep show – ever the marketer. (36 points)

“The Way You Make Me Feel” by Michael Jackson (1988) – The third single from Bad. This is a lesser Michael Jackson entry – which actually shows how high his floor was in his heyday. (35 pts)

“Straight Up” by Paula Abdul (1989) – For better or for worse, this unleashed Paula Abdul on the American psyche, and thus made her eligible to be a has-been by the time American Idol rolled around. The bonus Arsenio Hall appearance here is an extra point. He was cool once (?) (35 points)

“I Can’t Go For That” by Hall and Oates (1982) – We discussed them in the first entry of this series. The videos are just so awkward. This is not one of my favorite songs of their. (33 points)

“That’s What Friends Are For” by Dionne Warwick and Friends (1986) – It’s pretty soppy, and the video has a lot of overacting. It’s a pleasant enough song – but it’s real virtue is Elton John’s curious wardrobe choice here. I am not sure whether Laurence Fishburne used it as inspiration for his gear on Pee Wee’s Playhouse, but I’d understand. (33 points)

“Africa” by Toto (1983) – Toto is one of those bands who have done more songs than you think. That 99 song, “Hold The Line”, “Rosanna”. This is their best though, and the video shows some of the characteristics of more ambitious stuff as MTV inspired these things to be more cinematic, and thus sillier. (32 points)

“At This Moment” by Billy Vera and the Beaters (1987) – Given that it’s revival was launched by a TV show (Family Ties), it had to have a high rating for 80’s zeitgeist. It’s a good song, but one I don’t remember honestly without looking it up otherwise. (30 points)

“Shake You Down” by Gregory Abbott (1987) – This is a song I like better than I should, given the genre and tempo. It is pretty dated now – but somehow the smoothness works for me still. (29 points)

“I Want to Know What Love Is” by Foreigner (1985) – Despite the extra points for Lou Gramm’s rather spectacular hair, this is a pretty lousy turn for a fairly entertaining 70s rock band. The part when the choir comes in is particularly snort inducing. (24 points)

“Escape (The Pina Colada Song)” by Rupert Holmes (1980) – Like “Please Don’t Go”, this song really reads 70s more than anything. It is funny and cheesy, but hard to rank up there at all. (23 points)

“Could’ve Been” by Tiffany (1988) – The other big Tiffany hit, and does not age well at all. The earnestness combined with the tempo combined with her just not being that talented makes this hard to sit through. (22 points)

“When I’m With You” by Sheriff (1989) – The 80s were all about rock ballads. This is a particularly bad one. (20 points)

The Big Board

Song Artist
1 Rock With You Michael Jackson
2 Down Under Men At Work
3 Faith George Michael
4 Like a Virgin Madonna
5 Centerfold J Geils Band
6 The Tide Is High Blondie
7 Walk Like an Egyptian Bangles
8 Karma Chameleon Culture Club
9 Celebration Kool and the Gang
10 So Emotional Whitney Houston
11 Two Hearts Phil Collins
12 Need You Tonight INXS
13 Every Rose Has Its Thorn Poison
14 My Prerogative Bobby Brown
15 Got My Mind Set on You George Harrison
16 Owner of a Lonely Heart Yes
17 Maneater Darryl Hall and John Oates
18 Open Your Heart Madonna
19 Say, Say, Say Paul McCartney and Michael Jackson
20 Straight Up Paula Abdul
21 The Way You Make Me Feel Michael Jackson
22 That’s What Friends Are For Dionne Warwick
23 Physical Olivia Newton John
24 I Can’t Go For That Hall and Oates
25 Africa Toto
26 At This Moment Billy Vera and the beaters
27 Shake You Down Gregory Abbott
28 Say You, Say Me Lionel Richie
29 (Just Like) Starting Over John Lennon
30 I Want to Know What Love Is Foreigner
31 Escape (The Pina Colada Song) Rupert Holmes
32 Could’ve Been Tiffany
33 When I’m With You Sheriff
34 Please Don’t Go KC and the Sunshine Band

39 Years, 40 Songs

Updating last year’s list of songs which were #1 on my birthday.  Anyway, here we go – and obviously this is an authoritative list that should be accepted as fact.

40. “Have You Ever” by Brandy (1999) – ooh, the mid to late 90s was a fallow period here.  There were a lot of simpering slow jams, and this was probably the worst of them, but the competition is fierce.  Brandy in particular sang these songs like she was half asleep

39. “Un-Break My Heart” by Toni Braxton (1997) – really the comments for #39 apply here, although instead of low talking there is the sort of balladeering earnestness which can inspire snorts from heartless people like me.

38. “All For Love” by Rod Stewart, Brian Adams and Sting (1994) – I actually like early editions of all of these musicians and don’t despise Sting’s solo material as much as a well read person ought to.  But this is that special cocktail of simpering earnestness and low quality that can make really bad pop music.

37. “One Sweet Day” by Mariah Carey and Boyz II Men (1996) – I am detecting a pattern in the years here among our really shaky songs.  No wonder I did not enjoy college more.

36. “On Bended Knee” by Boyz II Men (1995) – It is funny – if I described the song (unironic love song, Motown label, great singers) in 1967, I’d be all in.  But a 90s version of this sort of song just doesn’t age well.  Really, only “End of the Road” is tolerable now.  This is too hard to listen to to even be snort-worthy.

35. “The First Time” by Surface (1991) – The only song for this study I looked up and did not remember.  That sums it up well.  Another 1990s disposable slow jam.

34. “Bad and Boujee” by Migos f/ L’il Uzi (2017) – I listened to this just for this purpose.  This is pretty clearly the worst hip-hop song on this list.  Slow,  but without force.  The rapping sounds half asleep but without cool.  It is tempting to put this even lower but then I remember how much I hated so many of those 90s ballads.

33. “Sorry” by Justin Bieber (2016) – It’s the first Bieber song I listened to on purpose.  I will always rank up-tempo-ish songs above the simpering dreck we’ve seem earlier, but that is not saying much.  It’s actually not that bad though – does that sound like a compliment?

32. “Grillz” by Nelly (2006) – Clearly the worst hip-hop song to qualify for this list.  It is a shame because a large portion of Nelly’s canon is quite good.  This feels like a lapse in reason.  Or maybe it’s because I am jealous that I don’t have a grill of my own.

31. “Truly, Madly, Deeply” by Savage Garden (1998) – Another simpering 1990s ballad, but significantly better than normal.  It’s not the best example on the list, but the more understated vocals keep this from being a total mess.

30. “How Am I Supposed to Live Without You” by Michael Bolton (1990) – The no talent ass-clown  covered a forgettable Laura Brannigan song and did it quite well.  Really, this is a pretty good edition of a pretty awful genre, and holds up fairly well.  Or maybe it’s because it worked so well for John Oliver.

29. “All 4 Love” by Color Me Badd (1992) – This is a pretty indefensible boy band song.  In case you have forgotten Color Me Badd, this is the vocal group who brought boy band harmonizing to “I Wanna Sex You Up”, one of the cheesier pop songs of the last few decades – and somehow the biggest hit from the soundtrack to New Jack City.  But sometimes, pop music is as much about cheese which can make a sing-along in stuck traffic worthwhile.

28. “U Got It Bad” by Usher (2002) – Nearing the end of the 1990s-2000s slow jamz blessedly – Usher infuses a little bit of soul and style into a pretty disposable song – it’s not enough to qualify as “good”, but better than the other ones.

27. “Physical” by Olivia Newton-John (1982) – I remember this song because it played during my mother’s aerobics classes when I was a kid.  It is amazing that this song was a year’s #1 overall song.  It certainly has not aged well – really the kitsch is all there is.  That said, the song is fun – which is more than can be said about the others below this.

26. “Tik Tok” by Ke$ha (2010) – Deciding between this and “Physical” was tough.  You could go either way – both are sublimely silly songs which are hard to justify as year end #1s.  I guess recency is enough – as this song does not seem quite as dated.

25. “Let Me Love You” by Mario (2005) – If only there was a B-side by Luigi.  That said, it’s a breezy R&B song with some slow jam aspects but a much more pleasant listen.

24. “We Found Love” by Rihanna (2012) – The quality of the songs starts to increase here.  In fact, I’d say the next 24 are all at least partial thumbs-ups.  Rihanna’s prodigious success eluded my real interest in pop music – so others know her canon better than I do.  That said, this is a solid entry.

23. “Grenade” by Bruno Mars (2011) – Style is everything sometimes.  Bruno Mars here is no less earnest and simpering than some of the stuff which I scoffed at earlier in this list.  However, the piano and the tempo of the song provides a bit more of a dramatic touch – like it could have been in a musical or operetta perhaps.  It feels a bit more weighty.

22. “(Just Like) Starting Over” by John Lennon (1981) – John Lennon is among the more overrated artists in rock history.  He was tremendously important of course – and really he defined the Beatles early sound, where you can see the band’s Rock and Roll influences.  Lennon’s voice was that of someone who played music in bars and clubs – and he created the hard driving sound that the Beatles became known for in the early days.  After the breakup, though?  “Imagine” is a very dated slog that tries too hard for its message – overtly preachy songs are always issues.  His songs lacked the craft of Paul McCartney’s Wings stuff, and his deeper material lacked the complexity of George Harrison’s, and he took himself much more seriously than say Ringo Starr.  The posthumous Double Fantasy contained some of his best work, including “Woman” which is undoubtedly his best non-Beatles song.  This song is okay, but it is hard to hear it and not think that his death drove this song’s success.

21. “That’s What Friends Are For” by Dionne Warwick and Friends (1986) – A song everybody knows, and it is hard to put anything Stevie Wonder touches so low.  It has some of the snort-worthy earnestness that came with those 1980s compilations – and the video is hilarious, at least the idea that the friends all hang out together.  It probably should be ranked lower, but it’s ubiquity keeps it here.

20. “Irreplaceable” by Beyonce (2007) – We’re at the Beyonce portion of the program.  Overall I am not a huge fan – and actually like the Destiny’s Child stuff a little better.  So a middle ranking for a middle of the road song.

19. “Independent Women (Part I) by Destiny’s Child (2001) – See, I like it a little better?

18. “I Will Always Love You” by Whtiney Houston (1993) – The soppiest song on the list?  Maybe.  But Whitney Houston was always a defining voice of pop music in my life.  Stuff from earlier albums hit me more – but a song like this does show where she could have been a Streisand for people my age.  This is a fairly indefensible genre, but she works it better than anybody.


17. “Low” by Flo-Rida (2008) – One of things that becomes clear as I ran through this list was recent years pop music has actually gotten better.  Now it’s not better than the 1970s or mid 1980s, but catchy hooks and bouncy beats have rescued the era from some of the horrid material which permeated the late 1990s.  This song is infectious – and it is nice to have a hip hop song about butts in here – somehow an era-spanning survey would feel incomplete without it.

16. “What A Girl Wants” by Christina Aguilera (2000) – Christina and Britney Spears came up at about the same time, and they parallel nicely Madonna and Cyndi Lauper coming up around 1984.  In both cases you have female artists who were popular in their time, and in each case you had one artist who actually could really sing.  In both cases Britney and Madonna had more success, but Aguilera and Cyndi Lauper were much better singers.  In Christina Aguilera’s case, especially that first album, it gave the disposable pop songs a dimension that Britney certainly could not reach.  This is a genuinely good pop song which has aged well.

15. “At This Moment” by Billy Vera and the Beaters (1987) – A forgotten song from 1981 which was revived because of Family Ties, one part of the ultimate TV Sitcom powerhouse night growing up.  Hearing it now, the song is actually more pleasant and low key than I remember it.   The sound clearly is meant to evoke jazzy standards – much like George Michael’s “Kissing A Fool” would later in the year.  Uncharitably, I could say it is derivative of old world crooning, but hey, it does work on that level.

14. “Just Dance” by Lady Gaga (2009) – Lady Gaga’s first big hit.  I remember dismissing this in sort of a grumpy old man way – because it was pop of this kind, and thus had to stink.  But I remember friends playing it during a camping trip and somehow it sounded different.  It’s still a dance-pop song, but Lady Gaga does them well.  No reason to run from it.

13. “Timber” by Pitbull (2014) – I like Pitbull.  The Pitbull Channel on SiriusXM is continuously listenable.  His songs all sound the same, but are infectious anyway.  I like how he insists on that sort of “non dancing” sorts of moves which would make him a dead ringer for a plaid-shirted douchebag if he were a white guy and not a sharply dressed Miami Cuban-American.  Making silly dance songs is not the same noble goal that say John Lennon had – but I have to tip my hat to someone who does it well consistently.

12.  “Like A Virgin” by Madonna (1985) – Really, this is the song that announced Madonna as a really big f’ing deal – even if you had heard “Lucky Star”.  It’s a song and tune everybody knows, and it certainly deserves its pop reknown.  Indeed that it did not crack the Top 10 tells you the quality of the songs that have been at the top near January 20th.

11. “Locked Out of Heaven” by Bruno Mars (2013) – I am sure there is some recency bias here.  But this is a really fun song and the radio always stops when it comes on.  Usually I am a compulsive channel change – but this always gets my attention.  Bruno Mars is one of the better artists that the last few years has produced – indeed my 3-year old would approve (and will, later).

10. “The Way You Make Me Feel” by Michael Jackson (1988) – It is hard to properly communicate to youngsters how big a deal Michael Jackson was.  There are boy bands who make girls instinctively fling their panties and whatnot, and there are bands like U2 the world admires – regardless of whether its a good idea.  Michael Jackson had numerous issues and problems which can’t help but detract from his musical legacy, but his album drops and videos were clock stopping sorts of events.  He became a parody of himself later, and the criminal charges are what they are.  It is also clear that he never had much of a childhood and was mistreated by a lot of people who saw him talent and dollar signs.  This was the 3rd single from Bad, and while the idea of Michael Jackson macking on a woman is hard to picture without snorting, this song works.  He was a great pop music craftsman.

9. “Baby Come Back” by Player (1978) – The #1 song when I was born.  This list is littered with slow jams from the 1990s, most rather unpleasant in terms of quality.  A song like this one (and another one a few songs from now) are such a repudiation to something like (insert Boyz II Men song here) by just being so much better.  I sing a version of this song when it’s time to change my son’s diaper.

8. “Uptown Funk” by Mark Ronson (2015) – Bruno Mars appears again.  You know this song.  Do we need to cover it?  My daughter loves this song, and she smiles and gives me a “Don’t Believe Me Just Watch!”  It has everything a party song should have – and when it was the first song to play at a wedding I was at, I wondered why so early when it was unlikely any other song would be better.  The video is a clear throwback to 80s Michael Jackson – which in itself makes me feel old.

7. “Owner of a Lonely Heart” by Yes (1984) – Progressive Rock as a genre has a lot of weird bloated songs.  Yes was a pioneer of the genre – and “Roundabout” is particularly rough to listen to.  But this song, an early entry in what was to be a really great pop music year, is a tight, elegant tune with a good hook.

6. “Two Hearts” by Phil Collins (1989) – This is probably the ranking which will inspire the most snorts of derision.  Phil Collins does that.  He either works for you, or he doesn’t.  He has always worked for me and I am not sure why.  There are no guilty pleasures – so I refuse to be embarrassed by this.  This song was from his movie Buster, unseen by me, and it intentionally evokes some of the BritPop of the 1960s (time of polka-dotted dresses, go-go boots and such).  It’s a terrific pop song.

5. “Down Under” by Men At Work (1983) – Vegemite sounds disgusting.  This is among the very best songs on this list – with a reggae-touched beat which is hard to remain angry with.

4. “Le Freak” by Chic (1979) – Really this is arguably the best pop song of the 1970s.  Disco is one of those things I have evolved with.  As a teenager listening to classic rock in a talcum powder white hometown – disco seemed ridiculous.  I wrongly fell into the same traps that classic rock fans fell into – talking about disco ruining the world of music, and supporting things like record burnings.  However, and this is a dirty secret that you only learn when you listen to a lot of 70s pop, disco flat saved popular music.  Seriously.  Paul Anka, Eric Clapton, countless John Denver songs.  Yeesh.  Disco rode into to just provide some diversity and some life affirmation, and when you had a decade of Carpenters and Captain and Tenille, you need all the help you can get.

3. “Hey-Ya” by Outkast (2004) – How the hell is this #3?  I am still surprised too.  Yes, it’s my list – but I did want to look at these things new.  This song still works and Andre 3000 is just so brilliant.  How do you brighten your day?

2. “Lose Yourself” by Eminem (2003) – Right there with songs like “Cult of Personality” and “Welcome to the Jungle” – this is among the songs I turn to when getting fired up for a competition (or a game where my team is playing).  It’s become cliche of course – but the beat and baseline is just absolutely perfect.

1. “Rock With You” by Michael Jackson (1980) – Really any of the top 4 would have worked here.  However, there is real soul here – the kind which sounded weird with Jackson 5 songs – and such a smooth beat and flow.  Michael Jackson produced many soul songs of consequence as a member of the Jackson Five – but his pre-pubescent voice to me, made it hard to really feel songs like “Got to be There” and “I’ll Be There”.  It helps to be a grown up to give love songs the sort of gravitas it needs to be special.  This qualifies.  I was too young to remember Off The Wall, but as a solo album to reintroduce Michael Jackson it is perfect.  I remember a magazine somewhere talking about it as the perfect brand extension – how do you not alienate your boy band customers while pushing into a new space.  Jackson managed that perfectly here, with an album that evokes classic motown while remaining wholly Michael’s.